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Musical imagiNation : U.S.-Colombian identity and the Latin music boom /
Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami's growing Colombian community, María Elena Cepeda boldly asserts that popular m...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
New York University Press,
©2010.
New York, New York : 2010 |
| Colección: | Book collections on Project MUSE.
UPCC book collections on Project MUSE. Global Cultural Studies. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | OCoLC | ||
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| 043 | |a n-us--- |a n-us-fl |a s-ck--- | ||
| 050 | 4 | |a ML3917.U6 |b C46 2010eb | |
| 072 | 7 | |a MUS |x 029000 |2 bisacsh | |
| 082 | 0 | 4 | |a 781.64089/68861075938 |2 22 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Cepeda, María Elena, |e author. | |
| 245 | 1 | 0 | |a Musical imagiNation : |b U.S.-Colombian identity and the Latin music boom / |c María Elena Cepeda. |
| 260 | |a New York : |b New York University Press, |c ©2010. | ||
| 264 | 1 | |a New York, New York : |b New York University Press, |c 2010 | |
| 300 | |a 1 online resource (xii, 255 pages) : |b illustrations, maps | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 217-242), discographies (pages 243-244) , and index. | ||
| 588 | 0 | |a Online resource; title from e-book title screen (JSTOR platform, viewed September 20, 2016). | |
| 505 | 0 | |a La crisis colombiana: contextualizing the political moment -- A Miami sound machine: deconstructing the Latin(o) music boom of the Late 1990s -- Shakira as the Idealized transnational citizen: media perspectives on Colombianidad in transition -- Florecita Rockera: gender and representation in Latin(o) American rock and mainstream media -- The Colombian vallenato acá y allá : allegory for a musical ImagiNation -- The Colombian transcultural aesthetic recipe: music video in the "New" American studies -- Afterword: U.S.-Colombian popular music and identity: acknowledging the transnational in the National. | |
| 520 | |a Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami's growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most renowned rock en español, pop, and vallenato stars.Musical ImagiNation provides an overview of the ongoing Colombian political and economic crisis and the dynamics of Colombian immigration to metropolitan Miami. More notably, placed in this context, the book discusses the creative work and media personas of talented Colombian artists Shakira, Andrea Echeverri of Aterciopelados, and Carlos Vives. In her examination of the transnational figures and music that illuminate the recent shifts in the meanings attached to Colombian identity both in the United States and Latin America, Cepeda argues that music is a powerful arbitrator of memory and transnational identity. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Music |x Social aspects |z United States |x History |y 20th century. | |
| 650 | 0 | |a Popular music |z Florida |z Miami |x History and criticism. | |
| 650 | 0 | |a Popular music |z Colombia |x History and criticism. | |
| 650 | 0 | |a Music trade |z Florida |z Miami. | |
| 650 | 0 | |a Identity (Psychology) and mass media. | |
| 650 | 6 | |a Musique |x Aspect social |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Musique populaire |z Floride |z Miami |x Histoire et critique. | |
| 650 | 6 | |a Musique populaire |z Colombie |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Industrie |z Floride |z Miami. | |
| 650 | 6 | |a Identité (Psychologie) et médias. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a Identity (Psychology) and mass media |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Music trade |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a Colombia |2 fast | |
| 651 | 7 | |a Florida |z Miami |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Cepeda, María Elena. |t Musical imagiNation. |d New York : New York University Press, ©2010 |z 9780814716915 |z 9780814716922 |w (DLC) 2009030334 |w (OCoLC)326466228 |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 830 | 0 | |a UPCC book collections on Project MUSE. |p Global Cultural Studies. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=305405 |z Texto completo |
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| 938 | |a Internet Archive |b INAR |n musicalimaginati0000cepe | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38342782 | ||
| 994 | |a 92 |b IZTAP | ||