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Scandal on stage : European theater as moral trial /
New plays and operas have often tried to upset the status quo or disturb the assumptions of theatre audiences. Yet, as this study explores, the reactions of the audience or of the authorities are often more extreme than the creators had envisaged, to include outrage, riots, protests or censorship. S...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, UK ; New York :
Cambridge University Press,
2009.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ziolkowski, Theodore. | |
| 245 | 1 | 0 | |a Scandal on stage : |b European theater as moral trial / |c Theodore Ziolkowski. |
| 260 | |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c 2009. | ||
| 300 | |a 1 online resource (xi, 190 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 174-183) and index. | ||
| 505 | 0 | |a Introduction. Scandals as a non-event? ; Art as provocation? ; Freedom of art? ; What is scandal? ; A moral institution? -- Overtures. The morality of robbers (Schiller's Die Räuber) ; The battle of Hernani (Hugo's Hernani) -- Scanning the surface. The drama of schnaps and forceps (Hauptmann's Vor Sonnenaufgang) ; The drama of the savage god (Jarry's Ubu Roi) -- Sounding the depths. Femme de siècle (Wilde/Strauss's Salome) ; Spring massacre (Stravinsky's Le Sacre du printemps) -- Diagnosing the present. Dancing toward the abyss (Schnitzler's Reigen) ; Trouble in Mahogonny (Brecht/Weill's Aufstieg und Fall der Stadt Mahogonny) -- Overcoming the past. Defrocking the deputy (Hochhuth's Der Stellvertreter) ; The wreck of the Medusa (Henze's Das Floss der Medusa). | |
| 588 | 0 | |a Print version record. | |
| 520 | |a New plays and operas have often tried to upset the status quo or disturb the assumptions of theatre audiences. Yet, as this study explores, the reactions of the audience or of the authorities are often more extreme than the creators had envisaged, to include outrage, riots, protests or censorship. Scandal on Stage looks at ten famous theater scandals of the past two centuries in Germany and France as symptoms of contemporary social, political, ethical, and aesthetic upheavals. The writers and composers concerned, including Schiller, Stravinsky, Strauss, Brecht and Weil, portrayed new artistic and ideological ideas that came into conflict with the expectations of their audiences. In a comparative perspective, Theodore Ziolkowski shows how theatrical scandals reflect or challenge cultural and ethical assumptions and asks whether theatre can still be, as Schiller wrote, a moral institution: one that successfully makes its audience think differently about social, political and ethical questions. | ||
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| 650 | 0 | |a Theater |x Moral and ethical aspects |z Europe. | |
| 650 | 0 | |a Theater and society |z Europe. | |
| 650 | 0 | |a Theater |x Political aspects |z Europe. | |
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| 776 | 0 | 8 | |i Print version: |a Ziolkowski, Theodore. |t Scandal on stage. |d Cambridge, UK ; New York : Cambridge University Press, 2009 |z 9780521112604 |w (DLC) 2009023521 |w (OCoLC)318871916 |
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