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The Jazz Revolution : Twenties America and the Meaning of Jazz.
Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Gen...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
1992.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Ogren, Kathy J. | |
| 245 | 1 | 4 | |a The Jazz Revolution : |b Twenties America and the Meaning of Jazz. |
| 260 | |a New York : |b Oxford University Press, |c 1992. | ||
| 300 | |a 1 online resource (240 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along with many other Americans celebrated it--both as an expression of black culture and as a symbol of rebellion against American society. But an equal number railed against it. Whites were shocked by its raw emotion and sexuality, and blacks conside. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: The Significance of the Jazz Controversy for Twenties America; 1. "Comin' Down the Same Drain": Performance Practice of Bluesmen, Minstrels, and Jazzmen; 2. "All the Lights Were Tinted Green or Red": Location and Setting for Jazz Performance; 3. Dance-Tested Records and Syncopep for the Millions; 4. From Devil's Music to Jooking: Jazz Performance and the Black Community; 5. Prudes and Primitives: White Americans Debate Jazz; Conclusion: Performance Crossroads; Notes; Bibliographic Essay and Suggested Readings; Index. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Jazz |y 1921-1930 |x History and criticism. | |
| 650 | 0 | |a Music |x Social aspects. | |
| 650 | 0 | |a Popular culture |z United States |x History |y 20th century. | |
| 650 | 6 | |a Jazz |y 1921-1930 |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect social. | |
| 650 | 6 | |a Culture populaire |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Jazz. |2 bisacsh | |
| 650 | 7 | |a Jazz |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Popular culture |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a Jazz - 1921-1930 - History and criticism. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 1 | |z 9780195051537 | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=143793 |z Texto completo |
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