Hard hats, rednecks, and macho men : class in 1970s American cinema /

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Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nystrom, Derek
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford ; New York : Oxford University Press, ©2009.
Temas:
1900-1999
Working class in motion pictures.
Rednecks in motion pictures.
Men, White, in motion pictures.
Masculinity in motion pictures.
Motion pictures > United States > History > 20th century.
Travailleurs au cinéma.
Pauvres Blancs au cinéma.
Personnes blanches au cinéma.
Masculinité au cinéma.
Cinéma > États-Unis > Histoire > 20e siècle.
PERFORMING ARTS > Film & Video > Reference.
Motion pictures.
United States.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: Making Class Visible in Film and Cultural Studies; PART I: HARD HATS AND MOVIE BRATS; 1 Class and the Youth-Cult Cycle; PART II: REDNECKS AND GOOD OLE BOYS: THE RISE OF THE SOUTHERN; 2 Deliverance, An Allegory of the Sunbelt; 3 Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy; PART III: MACHO MEN AND THE NEW NIGHTLIFE FILM; 4 Saturday Night Fever and the Queering of the White, Working-Class Male Body; 5 Extra Masculinity: Looking for Mr. Goodbar and Cruising; Conclusion: Working-Class Solidarity and Its Others.

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