Cargando…
Form, program, and metaphor in the music of Berlioz /
Few aspects of Berlioz's style are more idiosyncratic than his handling of musical form. This book, the first devoted solely to the topic, explores how his formal strategies are related to the poetic and dramatic sentiments that were his very reason for being. Rodgers draws upon Berlioz's...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, UK ; New York :
Cambridge University Press,
2009.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn385132691 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 090610s2009 enkag ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e pn |c N$T |d OCLCQ |d IDEBK |d CDX |d YDXCP |d E7B |d CUY |d OCLCQ |d FTU |d OCLCQ |d CAMBR |d OCLCQ |d CAMBR |d OL$ |d HUH |d OCLCF |d OCLCQ |d LOA |d OCLCQ |d OCLCO |d COCUF |d CNNOR |d MOR |d PIFSG |d PIFAG |d OCLCQ |d OCLCO |d WY@ |d LUE |d STF |d WRM |d INT |d VT2 |d OCLCQ |d OCLCO |d YOU |d WYU |d G3B |d OCLCQ |d OCLCO |d OCLCQ |d AU@ |d OCLCQ |d OCLCO |d A6Q |d OCL |d UKCRE |d UKAHL |d S2H |d OCLCO |d OCL |d LUN |d QGK |d OCLCO |d OCLCQ | ||
| 019 | |a 326709750 |a 647698149 |a 663425854 |a 666922202 |a 712983182 |a 743428353 |a 852653578 |a 960200918 |a 961644655 |a 962676093 |a 988531133 |a 992114926 |a 1035661147 |a 1037922419 |a 1038568145 |a 1055317566 |a 1066659254 |a 1153523784 |a 1170989082 |a 1171264391 |a 1228526417 |a 1259266049 | ||
| 020 | |a 9780511576409 |q (electronic bk.) | ||
| 020 | |a 0511576404 |q (electronic bk.) | ||
| 020 | |a 9780511508639 |q (electronic bk.) | ||
| 020 | |a 0511508638 |q (electronic bk.) | ||
| 020 | |a 9781107404687 |q (paperback) | ||
| 020 | |a 1107404681 | ||
| 020 | |a 1282058754 | ||
| 020 | |a 9781282058750 | ||
| 020 | |a 0511507976 | ||
| 020 | |a 9780511507977 | ||
| 020 | |a 9786612058752 | ||
| 020 | |a 6612058757 | ||
| 020 | |a 0511505124 | ||
| 020 | |a 9780511505126 | ||
| 020 | |a 0511509294 | ||
| 020 | |a 9780511509292 | ||
| 020 | |a 0511507267 | ||
| 020 | |a 9780511507267 | ||
| 020 | |z 0521884047 | ||
| 020 | |z 9780521884044 | ||
| 024 | 8 | |a 9786612058752 | |
| 029 | 1 | |a AU@ |b 000062561908 | |
| 029 | 1 | |a CDX |b 10149314 | |
| 035 | |a (OCoLC)385132691 |z (OCoLC)326709750 |z (OCoLC)647698149 |z (OCoLC)663425854 |z (OCoLC)666922202 |z (OCoLC)712983182 |z (OCoLC)743428353 |z (OCoLC)852653578 |z (OCoLC)960200918 |z (OCoLC)961644655 |z (OCoLC)962676093 |z (OCoLC)988531133 |z (OCoLC)992114926 |z (OCoLC)1035661147 |z (OCoLC)1037922419 |z (OCoLC)1038568145 |z (OCoLC)1055317566 |z (OCoLC)1066659254 |z (OCoLC)1153523784 |z (OCoLC)1170989082 |z (OCoLC)1171264391 |z (OCoLC)1228526417 |z (OCoLC)1259266049 | ||
| 037 | |a 205875 |b MIL | ||
| 050 | 4 | |a ML410.B5 |b R63 2009eb | |
| 072 | 7 | |a MUS |x 050000 |2 bisacsh | |
| 082 | 0 | 4 | |a 780.92 |2 22 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Rodgers, Stephen, |d 1974- | |
| 245 | 1 | 0 | |a Form, program, and metaphor in the music of Berlioz / |c Stephen Rodgers. |
| 260 | |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c 2009. | ||
| 300 | |a 1 online resource (x, 189 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 173-183) and index. | ||
| 505 | 0 | |a Introduction -- Preliminary examples and recent theories -- Form as metaphor -- Mixing genres, mixing forms : sonata and song in Le carnaval romain -- The vague des passions, monomania, and the first movement of the Symphonie fantastique -- Love's emergence and fulfillment : the Scène d'amour from Roméo et Juliette -- Epilogue. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Few aspects of Berlioz's style are more idiosyncratic than his handling of musical form. This book, the first devoted solely to the topic, explores how his formal strategies are related to the poetic and dramatic sentiments that were his very reason for being. Rodgers draws upon Berlioz's ideas about musical representation and on the ideas that would have influenced him, arguing that the relationship between musical and extra-musical narrative in Berlioz's music is best construed as metaphorical rather than literal - 'intimate' but 'indirect' in Berlioz's words. Focusing on a type of varied-repetitive form that Berlioz used to evoke poetic ideas such as mania, obsession, and meditation, the book shows how, far from disregarding form when pushing the limits of musical evocation, Berlioz harnessed its powers to convey these ideas even more vividly. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Berlioz, Hector, |d 1803-1869 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Berlioz, Hector, |d 1803-1869. |2 fast |0 (OCoLC)fst00040903 |
| 600 | 1 | 7 | |a Berlioz, Hector. |2 swd |
| 650 | 0 | |a Musical form. | |
| 650 | 0 | |a Metaphor. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Program music |x History and criticism. | |
| 650 | 2 | |a Metaphor | |
| 650 | 6 | |a Formes musicales. | |
| 650 | 6 | |a Métaphore. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Musique à programme |x Histoire et critique. | |
| 650 | 7 | |a metaphor. |2 aat | |
| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 650 | 7 | |a Metaphor. |2 fast |0 (OCoLC)fst01018283 | |
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01030408 | |
| 650 | 7 | |a Musical form. |2 fast |0 (OCoLC)fst01030718 | |
| 650 | 7 | |a Program music. |2 fast |0 (OCoLC)fst01078667 | |
| 650 | 7 | |a Programmmusik |2 gnd | |
| 655 | 7 | |a Program music. |2 fast |0 (OCoLC)fst01920302 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Program music. |2 lcgft | |
| 655 | 7 | |a Musique à programme. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Rodgers, Stephen, 1974- |t Form, program, and metaphor in the music of Berlioz. |d Cambridge, UK ; New York : Cambridge University Press, 2009 |z 9780521884044 |z 0521884047 |w (DLC) 2008052018 |w (OCoLC)261177123 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=271017 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH28318319 | ||
| 938 | |a Coutts Information Services |b COUT |n 10149314 | ||
| 938 | |a ebrary |b EBRY |n ebr10289372 | ||
| 938 | |a EBSCOhost |b EBSC |n 271017 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n 205875 | ||
| 938 | |a YBP Library Services |b YANK |n 3050471 | ||
| 938 | |a YBP Library Services |b YANK |n 3016689 | ||
| 938 | |a YBP Library Services |b YANK |n 3048970 | ||
| 938 | |a YBP Library Services |b YANK |n 3277627 | ||
| 994 | |a 92 |b IZTAP | ||