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A midsummer's night dream /
This study traces the response to ""A Midsummer Night's Dream"" from Shakespeare's day to the present, including critics from Britain, Europe and America.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New Brunswick, N.J. :
Athlone Press,
1999.
|
| Colección: | Shakespeare, the critical tradition.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 2 | |a A midsummer's night dream / |c edited by Judith M. Kennedy and Richard F. Kennedy. |
| 260 | |a London ; |a New Brunswick, N.J. : |b Athlone Press, |c 1999. | ||
| 300 | |a 1 online resource (xxi, 461 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Shakespeare, the critical tradition | |
| 504 | |a Includes bibliographical references (pages 419-435) and index. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 505 | 0 | |a GENERAL EDITOR'S PREFACE; PREFACE; INTRODUCTION; 1 Moral conventions and human sympathy, 1775; 2 Artists' interpretations of dramatic effects, 1787; 3 Commentary on A Midsummer Night's Dream, 1790; 4 Bottom as coxcomb, 1792; 5 Response to Malone, 1793; 6 Illustrations of some passages, 1794; 7 His fertile and creative fancy, 1800; 8 On metre, invention, and a unified whole, 1815; 9 Unity of feeling and of imagery, and the fairies, 1817; 10 Bottom, Puck, and the incompatibility of poetry and the stage, 1817; 11 Malone's last words, 1821; 12 Mainly on the fairies, 1824 | |
| 505 | 8 | |a 13 The fairy world, the clowns, the poetry, 182814 New actors on the mimic scene-the fairies, 1828; 15 Marginalia and other notes, 1836; 16 Bottom the lucky man, 1837; 17 Critics refuted, 1838; 18 Originality in structure, machinery, and language, 1839; 19 The Pictorial Edition of A Midsummer Night's Dream, 1839; 20 The poet's dream, 1840; 21 Anachronisms, Nick Bottom as Midas, and stage representation, 1841; 22 Oberon's Vision allegorized, 1843; 23 Fairy drama and human nature, 1843; 24 Poet of the Fairies, 1844; 25 A comment, with some explanatory notes, 1845 | |
| 505 | 8 | |a 26 The theme of self-parody, 184627 Introductory remarks, 1847; 28 The sister arts, and the play's structural balance, 1848; 29 A festival of dainties, 1851; 30 The Dream and Art, 1851, 1872, 1883, 1884; 31 A most charming entertainment of the stage, 1853; 32 Samuel Phelps's Bottom, 1853; 33 Dramatic and poetic art, 1854; 34 Dialogue with a sceptic, 1854; 35 Critical remarks on the play, 1856; 36 Celtic elements, 1859; 37 Genre and inner purpose, 1863; 38 Intuitive power of characterization, 1863; 39 The play's limitations, 1864; 40 The sacred mysteries in the play, 1865 | |
| 505 | 8 | |a 41 The secret meaning of the Interlude, 186542 The perfection of imbecilic clowns, 1866; 43 Not critics, but lowly worshippers of the Beautiful, 1869; 44 The theme is love, 1871; 45 Bottom -- an ass, but no fool, 1873; 46 A Midsummer Night's Dream as masque, 1874; 47 Self-reflexive structure: the Real, the Ideal, and the Representation, 1874; 48 Shakespeare differentiated from Bacon, 1875; 49 Theseus as the central figure, 1875; 50 A comedy of incident, 1875; 51 Consummation of Shakespeare's lyrical genius, 1876; 52 Bottom, a self-made man, 1876; 53 The full glow of fancy and fun, 1877 | |
| 505 | 8 | |a 54 The wood is the world, 187955 Titania and Ovid, 1880; 56 A Platonic reading, 1884; 57 Interpreting the spoken verse, 1885; 58 Observations on the lovers and the mechanicals, 1886; 59 Poet rather than dramatist, 1888; 60 Source of the play's popularity, 1888; 61 Classical and modern, 1890; 62 Reason and desire in Oberon and Titania, 1890; 63 The development of morality and art, 1891; 64 A true work of art, 1894; 65 The duration of the action, 1895; 66 Life and art, 1895; 67 Daly and the idea of titivation, 1895; 68 Remarks on the play and modern education, 1895 | |
| 520 | |a This study traces the response to ""A Midsummer Night's Dream"" from Shakespeare's day to the present, including critics from Britain, Europe and America. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616. |t Midsummer night's dream. |
| 630 | 0 | 7 | |a Midsummer night's dream (Shakespeare, William) |2 fast |0 (OCoLC)fst01356315 |
| 650 | 0 | |a Comedy. | |
| 650 | 6 | |a Comédie. | |
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| 650 | 7 | |a DRAMA |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a Comedy. |2 fast |0 (OCoLC)fst00869083 | |
| 650 | 1 | 7 | |a A midsummer night's dream (Shakespeare) |2 gtt |
| 650 | 1 | 7 | |a Receptie. |2 gtt |
| 700 | 1 | |a Kennedy, Judith M. | |
| 700 | 1 | |a Kennedy, Richard F., |d 1933- | |
| 776 | 0 | 8 | |i Print version: |t Midsummer's night dream. |d London ; New Brunswick, N.J. : Athlone Press, 1999 |w (DLC) 99021407 |
| 830 | 0 | |a Shakespeare, the critical tradition. | |
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