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This paper analyses the complexity of intermedial iconicity through the analysis of Laurie Anderson's piece White Lily . It reveals the media aesthetic strategies by which Anderson enacts the abstract concept of time through the iconic use of language as well as through iconicity in music, gest...
| Clasificación: | Libro Electrónico |
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| Autor Corporativo: | |
| Otros Autores: | , , |
| Formato: | Electrónico Congresos, conferencias eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Philadelphia :
J. Benjamins,
2007.
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| Colección: | Iconicity in language and literature ;
v. 5. |
| Temas: | |
| Acceso en línea: | Texto completo |
| Sumario: | This paper analyses the complexity of intermedial iconicity through the analysis of Laurie Anderson's piece White Lily . It reveals the media aesthetic strategies by which Anderson enacts the abstract concept of time through the iconic use of language as well as through iconicity in music, gesture and computer animation. The performer's multimodal enactment of time experience demonstrates the integration of iconic, indexical and symbolic forms of representation. The semiotic analysis of the example is based on Sebeok and Danesi's modeling systems theory and the concept of "embodied cogni. |
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| Notas: | Papers from the Fifth Symposium on Iconicity in Language and Literature, organized by the Jagiellonian University in Krak?ow and held March 17-20, 2005. |
| Descripción Física: | 1 online resource (xiii, 360 pages) |
| Bibliografía: | Includes bibliographical references and index. |
| ISBN: | 9789027292667 9027292663 9027243417 9789027243416 1282154788 9781282154780 9786612154782 6612154780 |
| ISSN: | 1873-5037 ; |