Watching pages, reading pictures : cinema and modern literature in Italy /

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Deals with significant Italian film adaptations from literary materials which greatly exemplify the variety of styles, view-points, and attitudes produced by such an alliance, throughout the different periods. This book discusses adaptations such as those that have followed trends and critical debat...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: De Pau, Daniela, Torello, Georgina
Formato: Electrónico eBook
Idioma:Inglés
Italiano
Publicado: Newcastle upon Tyne : Cambridge Scholars, 2008.
Temas:
Motion pictures and literature > Italy.
Film adaptations > History and criticism.
Cinéma et littérature > Italie.
Adaptations cinématographiques > Histoire et critique.
Media, information & communication industries.
Educational: Languages other than English.
ART > Film & Video.
PERFORMING ARTS > Film & Video > Reference.
Film adaptations.
Motion pictures and literature.
Italy.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Translation, adaptation, transposition
  • Literature and cinema
  • From literature to film
  • Vadetecum
  • Tarchetti's Fosca and Scola's Passione D'amore
  • Archibugi, a "writer" on the set
  • Critina Comencini, novelist and filmmaker
  • Of body and soul
  • Francesco Rosi's La Tregua
  • Engendering fidelity
  • Look who's talking
  • Untying the tangle
  • Dog bites dog
  • Visconti's melancholies between Marcel Proust and Mario Praz
  • A writer cannot believe two stories at once
  • Beyond the figurative
  • Fascism from stage to screen
  • How to deal with female penetration and not die in the attempt
  • With eyes wide shut
  • Declares Pereira
  • The amphibolic nature of Pasolini's theorem(s)
  • Romanzo Criminale
  • Improvisation and novelisation in the recasting of Italian identity in Non Ci Resta Che Piangere
  • Text-image, departure and return.

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