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Watching pages, reading pictures : cinema and modern literature in Italy /

Deals with significant Italian film adaptations from literary materials which greatly exemplify the variety of styles, view-points, and attitudes produced by such an alliance, throughout the different periods. This book discusses adaptations such as those that have followed trends and critical debat...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: De Pau, Daniela, Torello, Georgina
Formato: Electrónico eBook
Idioma:Inglés
Italiano
Publicado: Newcastle upon Tyne : Cambridge Scholars, 2008.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Watching pages, reading pictures :  |b cinema and modern literature in Italy /  |c edited by Daniela De Pau and Georgina Torello. 
264 1 |a Newcastle upon Tyne :  |b Cambridge Scholars,  |c 2008. 
300 |a 1 online resource (viii, 440 pages) 
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337 |a computer  |b c  |2 rdamedia 
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520 |a Deals with significant Italian film adaptations from literary materials which greatly exemplify the variety of styles, view-points, and attitudes produced by such an alliance, throughout the different periods. This book discusses adaptations such as those that have followed trends and critical debates, making them, at times, rather problematic. 
504 |a Includes bibliographical references. 
505 0 |a Translation, adaptation, transposition -- Literature and cinema -- From literature to film -- Vadetecum -- Tarchetti's Fosca and Scola's Passione D'amore -- Archibugi, a "writer" on the set -- Critina Comencini, novelist and filmmaker -- Of body and soul -- Francesco Rosi's La Tregua -- Engendering fidelity -- Look who's talking -- Untying the tangle -- Dog bites dog -- Visconti's melancholies between Marcel Proust and Mario Praz -- A writer cannot believe two stories at once -- Beyond the figurative -- Fascism from stage to screen -- How to deal with female penetration and not die in the attempt -- With eyes wide shut -- Declares Pereira -- The amphibolic nature of Pasolini's theorem(s) -- Romanzo Criminale -- Improvisation and novelisation in the recasting of Italian identity in Non Ci Resta Che Piangere -- Text-image, departure and return. 
546 |a Some articles translated from the Italian. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
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650 0 |a Film adaptations  |x History and criticism. 
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650 6 |a Adaptations cinématographiques  |x Histoire et critique. 
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650 7 |a Film adaptations.  |2 fast  |0 (OCoLC)fst00924250 
650 7 |a Motion pictures and literature.  |2 fast  |0 (OCoLC)fst01027410 
651 7 |a Italy.  |2 fast  |0 (OCoLC)fst01204565 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
700 1 |a De Pau, Daniela. 
700 1 |a Torello, Georgina. 
776 0 8 |i Print version:  |t Watching pages, reading pictures.  |d Newcastle : Cambridge Scholars, 2009  |w (OCoLC)269435144 
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