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EBSCO_ocn303581819 |
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|a 1178932345
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|a 9780748630097
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|a 0748630090
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|a 9780748623563
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|a 0748623566
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|a N6538.N5
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|a UAMI
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|a Bernier, Celeste-Marie.
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|a African American visual arts /
|c Celeste-Marie Bernier.
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|a Edinburgh :
|b Edinburgh University Press,
|c ©2008.
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|a 1 online resource (xii, 264 pages, 16 pages of plates) :
|b illustrations (chiefly color)
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|a text
|b txt
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|a computer
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|a online resource
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|a BAAS paperbacks
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|a "Published in association with the British Association for American Studies"--Page 4 of cover
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|a Includes bibliographical references (pages 234-257) and index.
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|a 'The slave who paints': beginnings and the visual arts tradition -- 'Establishing an art era' in the Harlem renaissance -- Struggle, survival and early abstraction -- 'Images are weapons': history, narrative and a people's art -- 'Art comes to have a life of its own': aesthetics, experimentation and a new visual language -- 'Racist pathology is the muck': towards a transgressive visual poetics.
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|a Print version record.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a African American art.
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|a Art noir américain.
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|a African American art
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|a British Association for American Studies.
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|i Print version:
|a Bernier, Celeste-Marie.
|t African American visual arts.
|d Edinburgh : Edinburgh University Press, ©2008
|z 9780748623563
|z 0748623566
|w (OCoLC)229037994
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|a BAAS paperbacks.
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|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=258115
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
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|a EBSCOhost
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