MARC

LEADER 00000cam a2200000 a 4500
001 EBSCO_ocn302391803
003 OCoLC
005 20231017213018.0
006 m o d
007 cr cnu---unuuu
008 090211r20082004enk ob 001 0 eng d
040 |a N$T  |b eng  |e pn  |c N$T  |d OCLCQ  |d E7B  |d OCLCQ  |d OCLCF  |d YDXCP  |d OCLCO  |d OCLCQ  |d OCL  |d OCLCQ  |d AGLDB  |d COO  |d COCUF  |d K6U  |d OCLCQ  |d VTS  |d VT2  |d OCLCQ  |d WYU  |d LVT  |d STF  |d VLY  |d OCLCO  |d OCLCQ  |d SHC  |d OCLCQ  |d QGK 
019 |a 646785089  |a 1030822122  |a 1030841685  |a 1044950726  |a 1119044504  |a 1257355700  |a 1259080677 
020 |a 9781435697904  |q (electronic bk.) 
020 |a 1435697901  |q (electronic bk.) 
020 |z 0199248869  |q (hbk.) 
020 |z 9780199248865  |q (hbk.) 
020 |z 9780199532582  |q (pbk.) 
020 |a 1281925233 
020 |a 9781281925237 
020 |a 9786611925239 
020 |a 6611925236 
020 |a 0191530271 
020 |a 9780191530272 
029 1 |a AU@  |b 000051581335 
029 1 |a AU@  |b 000066751077 
029 1 |a DEBBG  |b BV043163992 
029 1 |a DEBSZ  |b 422043664 
035 |a (OCoLC)302391803  |z (OCoLC)646785089  |z (OCoLC)1030822122  |z (OCoLC)1030841685  |z (OCoLC)1044950726  |z (OCoLC)1119044504  |z (OCoLC)1257355700  |z (OCoLC)1259080677 
050 4 |a PR321  |b .C66 2008eb 
072 7 |a POE  |x 005020  |2 bisacsh 
072 7 |a LIT  |2 eflch 
072 |a 2AB 
072 |a DS 
072 |a DSB 
072 |a JFC 
072 |a HBJD1 
072 |a HBLC 
072 |a HBLH 
082 0 4 |a 821.03309  |2 22 
049 |a UAMI 
100 1 |a Cooper, Helen,  |d 1947- 
245 1 4 |a The English romance in time :  |b transforming motifs from Geoffrey of Monmouth to the death of Shakespeare /  |c Helen Cooper. 
260 |a Oxford :  |b Oxford University Press,  |c 2008. 
300 |a 1 online resource (1 volume) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
520 8 |a Annotation  |b The English Romance in Timeis a study of English romance across the Middle Ages and the Renaissance. It explores romance motifs - quests and fairy mistresses, passionate heroines and rudderless boats and missing heirs - from the first emergence of the genre in French and Anglo-Norman in the twelfth century down to the early seventeenth. This is a continuous story, since the same romances that constituted the largest and most sophisticated body of secular fiction in the Middle Ages went on to enjoy a new and vibrant popularity at all social levels in black-letter prints as the pulp fiction of the Tudor age. This embedded culture was reworked for political and Reformation propaganda and for the 'writing of England', as well as providing a generous reservoir of good stories and dramatic plots. The different ways in which the same texts were read over several centuries, or the same motifs shifted meaning as understanding and usage altered, provide a revealing and sensitive measure of historical and cultural change. The book accordingly looks at those processes of change as well as at how the motifs themselves work, to offer a historical semantics of the language of romance conventions. It also looks at how politics and romance intersect - the point where romance comes true.<br /><br />The historicizing of the study of literature is belatedly leading to a wider recognition that the early modern world is built on medieval foundations. This book explores both the foundations and the building. Similarly, generic theory, which previously tended to operate on transhistorical assumptions, is now acknowledging that genre interacts crucially with cultural context - with changing audiences and ideologies and means of dissemination. The generation into which Spenser and Shakespeare were born was the last to be brought up on a wide range of medieval romances in their original forms, and they could therefore exploit their generic codings in new texts aimed at both elite and popular audiences. Romance may since then have lost much of its cultural centrality, but the universal appeal of these same stories has continued to fuel later works from Bunyan'sPilgrim's Progressto C.S. Lewis and Tolkien. 
505 0 |a Introduction: 'Enter, pursued with a bear'; 1. Quest and Pilgrimage: 'The adventure that God shall send me'; 2. Providence and the Sea: 'No tackle, sail nor mast'; 3. Magic that Doesn't Work; 4. Fairy Monarch, Fairy Mistresses: 'I am of ane other countree'; 5. Desirable Desire: 'I am wholly given unto thee'; 6. Women on Trial; 7. Restoring the Rightful Heir: 'If that which was lost be not found'; 8. Unhappy Endings: 'The most accursed, unhappy, and evil fortuned'; Appendix; Bibliography 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Romances, English  |x History and criticism. 
650 0 |a English literature  |y Middle English, 1100-1500  |x History and criticism. 
650 0 |a English literature  |y Early modern, 1500-1700  |x History and criticism. 
650 6 |a Roman courtois anglais  |x Histoire et critique. 
650 6 |a Littérature anglaise  |y 1100-1500 (Moyen anglais)  |x Histoire et critique. 
650 7 |a POETRY  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a Literature.  |2 eflch 
650 7 |a English literature  |x Early modern.  |2 fast  |0 (OCoLC)fst01710960 
650 7 |a English literature  |x Middle English.  |2 fast  |0 (OCoLC)fst01710961 
650 7 |a Romances, English.  |2 fast  |0 (OCoLC)fst01099909 
648 7 |a 1100-1700  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 0 |a Electronic books. 
776 0 8 |i Print version:  |a Cooper, Helen, 1947-  |t English romance in time.  |d Oxford : Oxford University Press, 2008  |z 9780199532582  |z 0199532583  |w (OCoLC)176819712 
856 4 0 |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=257824  |z Texto completo 
938 |a EBSCOhost  |b EBSC  |n 257824 
938 |a YBP Library Services  |b YANK  |n 2965304 
994 |a 92  |b IZTAP