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|a Rawlinson, Mark
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|a Charles Sheeler :
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|a Modernism, precisionism and the borders of abstraction
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|a Includes bibliographical references (pages 182-205) and index.
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|a 1. Musing on primitiveness -- 2. A photograph, a drawing and a painting: Sheeler's New York series -- 3. The disappearing subject: Self-Portrait -- 4. Is it still life? Sheeler, Adorno and dwelling -- 5. Between commission and autonomy: Sheeler's River Rouge -- 6. Late work/late style.
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|a Charles Sheeler was the stark poet of the machine age. Photographer of the Ford Motor Company and founder of the painting movement Precisionism, he is remembered as a promoter of - and apologist for - the industrialised capitalist ethic. This major new rethink of one of the key figures of American modernism argues that Sheeler's true relationship to progress was in fact highly negative, his 'precisionism' both skewed and imprecise. Covering the entire oeuvre from photography to painting and drawing attention to the inconsistencies, curiosities and 'puzzles' embedded in Sheeler's work, Rawlinso.
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|a Sheeler, Charles,
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|i Print version:
|a Rawlinson, Mark (Mark S.).
|t Charles Sheeler.
|d London ; New York : I.B. Tauris, 2008
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