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Shakespeare and the power of performance : stage and page in the Elizabethan theatre /
Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare respon...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, UK ; New York :
Cambridge University Press,
2008.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Weimann, Robert. | |
| 245 | 1 | 0 | |a Shakespeare and the power of performance : |b stage and page in the Elizabethan theatre / |c Robert Weimann and Douglas Bruster. |
| 260 | |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c 2008. | ||
| 300 | |a 1 online resource (x, 266 pages) | ||
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| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | |a "Moralize two meanings" in one play : contrariety on the Tudor stage -- Performance, game, and representation in Richard III -- Mingling vice and "worthiness" in King John -- Clowning : agencies between voice and pen -- Clowning at the frontiers of representation -- Cross-dressing and performance in disguise -- Personation and playing : "secretly open" role-playing -- Character/actor : the deep matrix -- Character : depth, dialogue, page -- King Lear : representations on stage and page. | |
| 504 | |a Includes bibliographical references (pages 224-255) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself. | ||
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| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Technique. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Dramatic production. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Characters. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616. |2 fast |0 (OCoLC)fst00029048 |
| 650 | 0 | |a English drama |y 17th century |x History and criticism. | |
| 650 | 6 | |a Théâtre anglais |y 17e siècle |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a Characters and characteristics. |2 fast |0 (OCoLC)fst00852293 | |
| 650 | 7 | |a English drama. |2 fast |0 (OCoLC)fst00910737 | |
| 650 | 7 | |a Technique. |2 fast |0 (OCoLC)fst01355129 | |
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Bruster, Douglas. | |
| 776 | 0 | 8 | |i Print version: |a Weimann, Robert. |t Shakespeare and the power of performance. |d Cambridge, UK ; New York : Cambridge University Press, 2008 |z 9780521895323 |z 0521895324 |w (OCoLC)212858836 |
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