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|a UAMI
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|a The Richard Rodgers reader /
|c edited by Geoffrey Block.
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|a Oxford :
|b Oxford University Press,
|c 2002.
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|a 1 online resource (xii, 356 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a data file
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|a Readers on American musicians
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|a Includes index.
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|a Includes bibliographical references and indexes.
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|g pt. 1 Rodgers and Hart, 1919-1943 :
|t The age of Rodgers and Hart /
|r Ethan Mordden --
|t "My heart stood still" : Gerald Mast ; Richard Rodgers ; Philip Furia ; Alec Wilder ; Allen Forte --
|g from
|t Letters to Dorothy, 1926-1937 and A Personal Book /
|r Dorothy Rodgers --
|t Chee-Chee, the castration musical /
|r Richard Rodgers,
|r Lorenz Hart --
|t Cover story : "The boys from Columbia" /
|r Time Magazine --
|t "Words and music : Rodgers and Hart" /
|r Margaret Case Harriman --
|t Pal Joey : drawing "sweet water from a foul well" /
|r Brooks Atkinson --
|t "Not a few of his songs were left on the cutting room floor" /
|r Stanley Green --
|t Remembering Rodgers and Hart /
|r Oscar Hammerstein.
|
505 |
0 |
0 |
|g pt. 2 Rodgers and Hammerstein, 1943-1960 :
|t "As corny as Kansas in August, as restless as a willow in a windstorm" /
|r Gerald Mast --
|g "The
|t work that changed the form" /
|r Ethan Mordden --
|t The theatre guild presents Oklahoma! and Carousel /
|r Lawrence Langner --
|t "R. and H." /
|r Agnes De Mille -- "What is a Richard Rodgers?" /
|r Joshua Logan --
|t "There's hope for everyone" /
|r Mary Martin --
|t The art of adaptation /
|r Lehman Engel --
|t Rethinking Pal Joey /
|r Brooks Atkinson --
|g "The
|t American musical" /
|r Eric Bentley --
|g "The
|t musical stage" /
|r George Jean Nathan --
|t "Moving in the direction of opera" /
|r Leonard Bernstein --
|t A few favorite things about Rodgers with Hammerstein /
|r Alec Wilder --
|g "The
|t nicest guys in show business" /
|r Cleveland Amory --
|t "Introduction" to Richard Rodgers /
|r David Ewen.
|
505 |
0 |
0 |
|g pt. 3 Rodgers after Hammerstein, 1960-1979 :
|t "You can't force it" /
|r Winthrop Sargeant --
|t "Rodgers without Hammerstein" /
|r Arthur Gelb,
|r Barbara Gelb --
|t "Richard Rodgers is calling" /
|r Diahann Carroll --
|g "The
|t less said, the better" /
|r Craig Zadan --
|g "The
|t plot against musicals" /
|r Walter Kerr --
|t The perils of producing Rex /
|r Richard Adler --
|t Anatomy of a flop : Pipe Dream, Do I Hear a Waltz?, Rex, and I Remember Mama /
|r Ken Mandelbaum --
|t "Overture" to Richard Rodgers /
|r William G. Hyland --
|t "Introduction" to Musical Stages /
|r Mary Rodgers Guettel.
|
505 |
0 |
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|g pt. 4 The composer speaks, 1939-1971 :
|t "How to write music in no easy lessons : A Self Interview" [1939] --
|t "Introduction" to The Rodgers and Hart Song Book [1951] --
|t "Jerome Kern : a tribute" [1951] --
|t "Pal Joey : history of a 'heel'" [1951] --
|g "The
|t right to revive" (or "Revive and let live") [1954] --
|t "Cancer? I've had it!" [1957] --
|t "Introduction" (with Oscar Hammerstein) to The Rodgers and Hammerstein Song Book [1958] --
|t "Hammerstein : words by Rodgers" [1960] --
|t "Opera and Broadway" [1961] --
|t "Now the musical theater is enshrined" [1964] --
|g "A
|t composer looks at his lyricists" [1967] --
|t Reminiscences of Richard Rodgers [1969] : Pal Joey ; Endings and beginnings ; Words and Music ; Allegro ; South Pacific ; Pipe Dream ; Flower Drum Song ; The Sound of Music ; No Strings ; Do I hear a waltz? --
|g "The
|t Broadway audience is still there, waiting for more good shows" [1971].
|
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|a Print version record.
|
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|a Richard Rodgers was one of America's most prolific and best-loved composers. A world without "My Funny Valentine," "The Lady is a Tramp," "Blue Moon," and "Bewitched," to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences. Arranged in four sections, Rodgers and Hart (1929-1943), Rodgers and Hammerstein (1943-1960), Rodgers After Hamme
|
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
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|
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
546 |
|
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|a English.
|
590 |
|
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
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1 |
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|a Rodgers, Richard,
|d 1902-1979
|x Criticism and interpretation.
|
600 |
1 |
7 |
|a Rodgers, Richard,
|d 1902-1979.
|2 fast
|0 (OCoLC)fst00016422
|
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1 |
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|a Rodgers, Richard.
|2 swd
|
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|
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|a MUSIC
|x Genres & Styles
|x Musicals.
|2 bisacsh
|
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|
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|a Aufsatzsammlung
|2 gnd
|
655 |
|
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
700 |
1 |
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|a Block, Geoffrey Holden,
|d 1948-
|
776 |
0 |
8 |
|i Print version:
|t Richard Rodgers reader.
|d Oxford : Oxford University Press, 2002
|w (DLC) 2001037505
|
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|a Readers on American musicians.
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