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The Richard Rodgers reader /

Richard Rodgers was one of America's most prolific and best-loved composers. A world without "My Funny Valentine," "The Lady is a Tramp," "Blue Moon," and "Bewitched," to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Block, Geoffrey Holden, 1948-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford : Oxford University Press, 2002.
Colección:Readers on American musicians.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The Richard Rodgers reader /  |c edited by Geoffrey Block. 
260 |a Oxford :  |b Oxford University Press,  |c 2002. 
300 |a 1 online resource (xii, 356 pages) :  |b illustrations 
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490 1 |a Readers on American musicians 
500 |a Includes index. 
504 |a Includes bibliographical references and indexes. 
505 0 0 |g pt. 1 Rodgers and Hart, 1919-1943 :  |t The age of Rodgers and Hart /  |r Ethan Mordden --  |t "My heart stood still" : Gerald Mast ; Richard Rodgers ; Philip Furia ; Alec Wilder ; Allen Forte --  |g from  |t Letters to Dorothy, 1926-1937 and A Personal Book /  |r Dorothy Rodgers --  |t Chee-Chee, the castration musical /  |r Richard Rodgers,  |r Lorenz Hart --  |t Cover story : "The boys from Columbia" /  |r Time Magazine --  |t "Words and music : Rodgers and Hart" /  |r Margaret Case Harriman --  |t Pal Joey : drawing "sweet water from a foul well" /  |r Brooks Atkinson --  |t "Not a few of his songs were left on the cutting room floor" /  |r Stanley Green --  |t Remembering Rodgers and Hart /  |r Oscar Hammerstein. 
505 0 0 |g pt. 2 Rodgers and Hammerstein, 1943-1960 :  |t "As corny as Kansas in August, as restless as a willow in a windstorm" /  |r Gerald Mast --  |g "The  |t work that changed the form" /  |r Ethan Mordden --  |t The theatre guild presents Oklahoma! and Carousel /  |r Lawrence Langner --  |t "R. and H." /  |r Agnes De Mille -- "What is a Richard Rodgers?" /  |r Joshua Logan --  |t "There's hope for everyone" /  |r Mary Martin --  |t The art of adaptation /  |r Lehman Engel --  |t Rethinking Pal Joey /  |r Brooks Atkinson --  |g "The  |t American musical" /  |r Eric Bentley --  |g "The  |t musical stage" /  |r George Jean Nathan --  |t "Moving in the direction of opera" /  |r Leonard Bernstein --  |t A few favorite things about Rodgers with Hammerstein /  |r Alec Wilder --  |g "The  |t nicest guys in show business" /  |r Cleveland Amory --  |t "Introduction" to Richard Rodgers /  |r David Ewen. 
505 0 0 |g pt. 3 Rodgers after Hammerstein, 1960-1979 :  |t "You can't force it" /  |r Winthrop Sargeant --  |t "Rodgers without Hammerstein" /  |r Arthur Gelb,  |r Barbara Gelb --  |t "Richard Rodgers is calling" /  |r Diahann Carroll --  |g "The  |t less said, the better" /  |r Craig Zadan --  |g "The  |t plot against musicals" /  |r Walter Kerr --  |t The perils of producing Rex /  |r Richard Adler --  |t Anatomy of a flop : Pipe Dream, Do I Hear a Waltz?, Rex, and I Remember Mama /  |r Ken Mandelbaum --  |t "Overture" to Richard Rodgers /  |r William G. Hyland --  |t "Introduction" to Musical Stages /  |r Mary Rodgers Guettel. 
505 0 0 |g pt. 4 The composer speaks, 1939-1971 :  |t "How to write music in no easy lessons : A Self Interview" [1939] --  |t "Introduction" to The Rodgers and Hart Song Book [1951] --  |t "Jerome Kern : a tribute" [1951] --  |t "Pal Joey : history of a 'heel'" [1951] --  |g "The  |t right to revive" (or "Revive and let live") [1954] --  |t "Cancer? I've had it!" [1957] --  |t "Introduction" (with Oscar Hammerstein) to The Rodgers and Hammerstein Song Book [1958] --  |t "Hammerstein : words by Rodgers" [1960] --  |t "Opera and Broadway" [1961] --  |t "Now the musical theater is enshrined" [1964] --  |g "A  |t composer looks at his lyricists" [1967] --  |t Reminiscences of Richard Rodgers [1969] : Pal Joey ; Endings and beginnings ; Words and Music ; Allegro ; South Pacific ; Pipe Dream ; Flower Drum Song ; The Sound of Music ; No Strings ; Do I hear a waltz? --  |g "The  |t Broadway audience is still there, waiting for more good shows" [1971]. 
588 0 |a Print version record. 
520 |a Richard Rodgers was one of America's most prolific and best-loved composers. A world without "My Funny Valentine," "The Lady is a Tramp," "Blue Moon," and "Bewitched," to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences. Arranged in four sections, Rodgers and Hart (1929-1943), Rodgers and Hammerstein (1943-1960), Rodgers After Hamme 
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