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Making movies Black : the Hollywood message movie from World War II to the civil rights era /
Cripps's Slow to Fade To Black: The Negro In American Film, 1900-1942, is considered the basic work on blacks' involvement in film, both in Hollywood and outside it. Making Movies Black continues the story up into the 1950s. It discusses the greater attention to black life in films of the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
1993.
|
| Colección: | OUP E-Books.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cripps, Thomas. | |
| 245 | 1 | 0 | |a Making movies Black : |b the Hollywood message movie from World War II to the civil rights era / |c Thomas Cripps. |
| 260 | |a New York : |b Oxford University Press, |c 1993. | ||
| 300 | |a 1 online resource (xv, 382 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 299-369) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a Cripps's Slow to Fade To Black: The Negro In American Film, 1900-1942, is considered the basic work on blacks' involvement in film, both in Hollywood and outside it. Making Movies Black continues the story up into the 1950s. It discusses the greater attention to black life in films of the early war years, including the all-black Cabin in The Sky, indicates the difficult time black leaders had with Hollywood studios in bringing pressure for better depictions of blacks on screen, describes the discovery of race-related subjects in such postwar films as Pinky and Intruder in the Dust, and depicts the rise of black stars like Sidney Poitier in Hollywood. As in Slow Fade to Black, these events are put into a broader social context. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [S.l.] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 505 | 0 | |a 1. Antebellum Hollywood -- 2. Wendell and Walter Go to Hollywood -- 3. The Making of a Genre: The Integration of Colin Kelly, Meyer Levin, and Dorie Miller -- 4. The Making of The Negro Soldier -- 5. Hollywood Wins: The End of "Race Movies" -- 6. Documentary Film Culture and Postwar Liberal Momentum -- 7. Thermidor -- 8. "A Pot of Message" -- 9. Settling In, Settling For. | |
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| 650 | 0 | |a African Americans in the motion picture industry. | |
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| 653 | 0 | |a Cinema |a Films (Motion pictures) |a Role of |a Black persons | |
| 653 | 0 | |a United States | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Cripps, Thomas. |t Making movies Black. |d New York : Oxford University Press, 1993 |w (DLC) 92009491 |
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