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Framing pieces : designs of the gloss in Joyce, Woolf, and Pound /
In Framing Pieces, Whittier-Ferguson recovers and explores drafts, notes, glosses, essays, and guides that high modernists, such as James Joyce, Virginia Woolf, T.S. Eliot, and Ezra Pound generated in order to interpret their own work. These archival materials reveal a complex picture of how texts l...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
1996.
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| Colección: | OUP E-Books.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Whittier-Ferguson, John. | |
| 245 | 1 | 0 | |a Framing pieces : |b designs of the gloss in Joyce, Woolf, and Pound / |c John Whittier-Ferguson. |
| 260 | |a New York : |b Oxford University Press, |c 1996. | ||
| 300 | |a 1 online resource (xv, 197 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 177-187) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a In Framing Pieces, Whittier-Ferguson recovers and explores drafts, notes, glosses, essays, and guides that high modernists, such as James Joyce, Virginia Woolf, T.S. Eliot, and Ezra Pound generated in order to interpret their own work. These archival materials reveal a complex picture of how texts like Finnegan's Wake, A Room of One's Own, Three Guineas, and ABC's of Reading were annotated and framed by their authors, and how the authors illuminated and obscured various aspects of the annotations. Whittier-Ferguson also examines the first editions and periodicals in which these works appeared to show how modernist writers gauged the extent of their audience and tried to control their readers' encounters with their writing. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Joyce, James, |d 1882-1941 |x Criticism, Textual. |
| 600 | 1 | 0 | |a Woolf, Virginia, |d 1882-1941 |x Criticism, Textual. |
| 600 | 1 | 0 | |a Pound, Ezra, |d 1885-1972 |x Criticism, Textual. |
| 600 | 1 | 0 | |a Joyce, James, |d 1882-1941 |x Technique. |
| 600 | 1 | 0 | |a Woolf, Virginia, |d 1882-1941 |x Technique. |
| 600 | 1 | 0 | |a Pound, Ezra, |d 1885-1972 |x Technique. |
| 600 | 1 | 7 | |a Joyce, James, |d 1882-1941. |2 fast |0 (OCoLC)fst00035968 |
| 600 | 1 | 7 | |a Pound, Ezra, |d 1885-1972. |2 fast |0 (OCoLC)fst00029337 |
| 600 | 1 | 7 | |a Woolf, Virginia, |d 1882-1941. |2 fast |0 (OCoLC)fst00033879 |
| 650 | 0 | |a English fiction |y 20th century |x Criticism, Textual. | |
| 650 | 0 | |a Modernism (Literature) |z Great Britain. | |
| 650 | 0 | |a Fiction |x Technique. | |
| 650 | 0 | |a Poetics |x History |y 20th century. | |
| 650 | 6 | |a Modernisme (Littérature) |z Grande-Bretagne. | |
| 650 | 6 | |a Poétique |x Histoire |y 20e siècle. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English fiction. |2 fast |0 (OCoLC)fst00910817 | |
| 650 | 7 | |a Fiction |x Technique. |2 fast |0 (OCoLC)fst00923755 | |
| 650 | 7 | |a Modernism (Literature) |2 fast |0 (OCoLC)fst01024455 | |
| 650 | 7 | |a Poetics. |2 fast |0 (OCoLC)fst01067682 | |
| 650 | 7 | |a Technique. |2 fast |0 (OCoLC)fst01355129 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Whittier-Ferguson, John. |t Framing pieces. |d New York : Oxford University Press, 1996 |w (DLC) 95017101 |
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