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Bones incandescent : the Pajarito journals of Peggy Pond Church /

A "personal ecology" is what poet and writer Peggy Pond Church called the journals she kept for more than fifty years on New Mexico's Pajarito Plateau. Church's work appeared regularly in Poetry and Saturday Review of Literature and her biography of Edith Warner, The House at Oto...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Church, Peggy Pond, 1903-1986
Otros Autores: Armitage, Shelley, 1947-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lubbock : Texas Tech University Press, ©2001.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Church, Peggy Pond,  |d 1903-1986. 
245 1 0 |a Bones incandescent :  |b the Pajarito journals of Peggy Pond Church /  |c edited with essays by Shelley Armitage. 
260 |a Lubbock :  |b Texas Tech University Press,  |c ©2001. 
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504 |a Includes bibliographical references (pages 223-224) and index. 
505 0 0 |t Introduction: Landscape of a Life: Place of the Bird People --  |t The Seeds of Wonder --  |t Journals, 1930s-1950s --  |t Time Buried in Oneself --  |t Journals, 1960s --  |t The Pattern of Ancient Crossing --  |t Journals, 1970s --  |t Pajarito Cycles: The Cycles of Selves --  |t Journals, 1980s. 
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520 |a A "personal ecology" is what poet and writer Peggy Pond Church called the journals she kept for more than fifty years on New Mexico's Pajarito Plateau. Church's work appeared regularly in Poetry and Saturday Review of Literature and her biography of Edith Warner, The House at Otowi Bridge, became a regional classic. She had a profound relationship with the place now known best for the Los Alamos laboratories and the Manhattan Project. The journals from her childhood in the 1930s through 1986, the year of her death, are studies in spiritual and psychological responses to the landscape that informed her sensibilities and creative energy. The plateau she loved became both her subject and the basis of her connection to other women writers, particularly Warner, Mary Austin, and May Sarton. Church, Armitage says, has given us an extended lyric, essential to the growing critical awareness of women's autobiography, landscape studies, and creativity. 
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