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Eyes upside down : visionary filmmakers and the heritage of Emerson /
Introduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sight...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford ; New York :
Oxford University Press,
2008.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Contents; Introduction: Emersonian Poetics; 1 Marie Menken and the Somatic Camera; 2 Ian Hugo and Superimposition; 3 Stan Brakhage's Autobiography as a Cinematic Sequence; 4 Jonas Mekas and the Diary Film; 5 Hollis Frampton and the Specter of Narrative; 6 Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe; 7 Beavers's Second Cycle: The Past in the Present--the Present in the Past; 8 Andrew Noren and the Open-Ended Cinematic Sequence; 9 Ernie Gehr and the Axis of Primary Thought; 10 Warren Sonbert's Movements in a Concerto; 11 Brakhage and the Tales of the Tribes.