Dance and authenticity in Israel and Palestine : performing the nation /

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In this ethnographic study, Kaschl examines the history of two related and competing Palestinian and Israeli folk dance forms. The focus is on how these forms known as dabkeh and debkah, respectively represent a contested cultural essence of both Palestinian and Israeli nationalism. The performances...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kaschl, Elke
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, 2003.
Colección:Social, economic, and political studies of the Middle East and Asia ; v. 89.
Temas:
Folk dancing > Israel > History.
Folk dancing > West Bank > History.
Folk dancing > Social aspects > Israel.
Folk dancing > Social aspects > West Bank.
Jewish-Arab relations.
Danse folklorique > Israël > Histoire.
Danse folklorique > Cisjordanie > Histoire.
Danse folklorique > Aspect social > Israël.
Danse folklorique > Aspect social > Cisjordanie.
Relations judéo-arabes.
PERFORMING ARTS > Dance > Folk.
Folk dancing.
Folk dancing > Social aspects.
Politische Identität
Volkstanz
Volksdansen.
Culturele identiteit.
Israel.
West Bank.
Israel
Palästinenser.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Acknowledgments; Note on Formalia and Transcription; Stage Settings; CHAPTER 1. INVESTIGATING THE PERFORMANCE OF NATIONALISM AS A RELATIONAL PROCESS BETWEEN ISRAEL AND PALESTINE; CHAPTER 2. STRUGGLING FOR MODERN STATEHOOD: AUTHENTICITY, GENDER AND A TWICE INVENTED TRADITION; CHAPTER 3. CHANGING WAYS OF MOVEMENT: THE PALESTINIAN POPULAR DANCE TROUPE EL-FUNOUN, 1979-1999; CHAPTER 4. MAKING PLACE: KARMEI MAKHOL, 1982-1999; CHAPTER 5. IMPROVISING IN BETWEEN: AL-ASAYYEL, 1988-1999; Closing Up; Appendix; Bibliography; Glossary; Index.

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