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|a UAMI
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1 |
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|a Török, László,
|d 1941-2020.
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245 |
1 |
0 |
|a Transfigurations of Hellenism :
|b aspects of late antique art in Egypt, A.D. 250-700 /
|c by László Török.
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260 |
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|a Leiden ;
|a Boston :
|b Brill,
|c 2005.
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300 |
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|a 1 online resource (xxi, 400 pages) :
|b illustrations (some color).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a data file
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|a Probleme der Ägyptologie,
|x 0169-9601 ;
|v 23
|
504 |
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|a Includes bibliographical references and indexes.
|
588 |
0 |
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|a Print version record.
|
506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
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|a Electronic reproduction.
|b [S.l.] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
|
|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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505 |
0 |
|
|a List of figures; List of plates; Acknowledgements; A note on the terminology; I. Introduction: A visit to the Coptic Museum in Old Cairo; II. Images of late antique Egypt in twentieth-century art history; 1. The Ahnas pitfall; 2. The myth of anti-Hellenism; 3. Pharaonic revival: myth and reality; 4. The myth of Volkskunst and the contribution of forgery to Coptic art history; 5. From Ernst Kitzinger's ""Notes on Early Coptic Sculpture"" to Hjalmar Torp's ""Leda Christiana""; III. On methods; 1. Function, chronology, and style; 2. Chronology and the stratification of artistic production
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505 |
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|a 3. The limits of the investigationIV. History, society, and art in late Roman and early Byzantine Egypt; 1. Images of social identity; 2. History and society in late antique and early Byzantine Egypt; V. Continuity and change 1: The survival of forms of Alexandrian Hellenistic architecture; VI. Continuity and change 2: New patterns of monumentality; 1. The imperial cult sanctuary of the Tetrarchs in the Amûn temple of Luxor; 2. Modernity and archaizing in Shenoute's ""White Monastery"" at Sohag; 3. The episcopal complex at Hermopolis Magna; 4. Uses of the past
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505 |
8 |
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|a VII. Images for mortuary display1. Sculptors, workshops and modes of representation; VIII. Images of the good life: display and style; 1. Iconography of wealth; 2. Styles of wealth; 3. Ornaments for the patrician house and the church; 4. Images and ideals. Creating an Egyptian style; 5. Decline or transformation? Art for the less wealthy; IX. The Christianization of art in late antique Egypt; 1. Classical tradition: from pagan to Christian; 2. Ecclesiastical display and delight in the good things; Epilogue: Perennial Hellenism?; Abbreviations; Index of names; Index of places and monuments
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|a This richly illustrated book presents a history of Egyptian late antique-early Byzantine (Coptic) art in its international stylistic, social and intellectual context.
|
590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Coptic art.
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650 |
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|a Art, Hellenistic
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650 |
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6 |
|a Art copte.
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650 |
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|a Art hellénistique
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|
650 |
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1 |
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|a Kopten.
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|a Vroegchristelijke kunst.
|2 gtt
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650 |
1 |
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|a Byzantijnse kunst.
|2 gtt
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1 |
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|a Hellenisme.
|2 gtt
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776 |
0 |
8 |
|i Print version:
|a Török, László, 1941-
|t Transfigurations of Hellenism.
|d Leiden ; Boston : Brill, 2005
|w (DLC) 2004062868
|
830 |
|
0 |
|a Probleme der Ägyptologie ;
|v 23. Bd.
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856 |
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