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|a Avant-garde film /
|c edited by Alexander Graf and Dietrich Scheunemann.
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|a Amsterdam ;
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|a 1 online resource (xi, 405 pages)
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|a Avant garde critical studies ;
|v 23
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Avant-Garde Film; Contents; Preface; Chapter 1. Abstraction, Surrealism, Futurism: The Cinema of the Historical Avant-Garde; Chapter 2 Post-War American and European Experiments; Chapter 3 New Technologies and Media Convergence: The Contemporary Avantgarde Film; List of Illustrations; Contributors to this volume; Index.
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|a This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scho.
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|a Experimental films
|x History and criticism
|y 20th century.
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|a PERFORMING ARTS
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|x Reference.
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|a Experimental films.
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|a Experimental films
|x History and criticism
|y 20th century.
|2 nli
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|a Avant-garde.
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|a Filmkunst.
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|a 1900-1999
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|a Criticism, interpretation, etc.
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|0 (OCoLC)fst01411635
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|a Graf, Alexander.
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|a Scheunemann, Dietrich.
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|i Print version:
|t Avant-garde film.
|d Amsterdam ; New York, NY : Rodopi, 2007
|z 9042023058
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|a Avant garde critical studies ;
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