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The philosophy of TV noir /
The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new f...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington, Ky. :
University Press of Kentucky,
©2008.
|
| Colección: | Philosophy of popular culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The philosophy of TV noir / |c edited by Steven M. Sanders and Aeon J. Skoble. |
| 260 | |a Lexington, Ky. : |b University Press of Kentucky, |c ©2008. | ||
| 300 | |a 1 online resource (viii, 272 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a The philosophy of popular culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a An introduction to the philosophy of TV noir / Steven M. Sanders -- Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked City: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland : noir themes in Secret Agent / Sander Lee -- Action and integrity in The Fugitive / Aeon J. Skoble -- Noir et blanc in color : existentialism and Miami Vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carnivàle knowledge : give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-Files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness : autonomy and conspiracy in The X-Files and Millennium / Michael Valdez Moses -- The Prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | |a The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new forms of noir. Noir television is also noteworthy for its capacity to raise philosophical questions about the nature of the human condition. Drawing from the fields of philosophy, media studies, and literature, the contributors to The Philosophy of TV Noir illuminate the best of noir television, inc. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Detective and mystery television programs |z United States |x History and criticism. | |
| 650 | 0 | |a Fantasy television programs |z United States |x History and criticism. | |
| 650 | 0 | |a Film noir |z United States |x History and criticism. | |
| 650 | 6 | |a Émissions de détective télévisées |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Émissions fantastiques télévisées |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Films noirs |z États-Unis |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Television |x Reference. |2 bisacsh | |
| 650 | 7 | |a Detective and mystery television programs |2 fast | |
| 650 | 7 | |a Fantasy television programs |2 fast | |
| 650 | 7 | |a Film noir |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 650 | 7 | |a Fernsehsendung |2 gnd | |
| 650 | 7 | |a Kriminalfilm |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 650 | 7 | |a Kriminalfilm |x Fernsehen |y Geschichte 20. Jh. |2 idsbb | |
| 650 | 7 | |a Fernsehen |x Kriminalfilm |y Geschichte 20. Jh. |2 idsbb | |
| 650 | 7 | |a Kriminalfilm. |2 idszbz | |
| 650 | 7 | |a Polizeifilm. |2 idszbz | |
| 650 | 7 | |a Schwarzer Film. |2 idszbz | |
| 650 | 7 | |a Fernsehserie. |2 idszbz | |
| 650 | 7 | |a Fernsehprogramm. |2 idszbz | |
| 651 | 7 | |a USA. |2 idszbz | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Sanders, Steven, |d 1945- | |
| 700 | 1 | |a Skoble, Aeon J. | |
| 776 | 0 | 8 | |i Print version: |t Philosophy of TV noir. |d Lexington, Ky. : University Press of Kentucky, ©2008 |z 9780813124490 |z 0813124492 |w (DLC) 2007029906 |w (OCoLC)154692324 |
| 830 | 0 | |a Philosophy of popular culture. | |
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