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Revolt, affect, collectivity : the unstable boundaries of Kristeva's polis /

"These original essays explore how the concept of revolution permeates and unifies Julia Kristeva's body of work by tracing its trajectory from her early engagement with the Tel Quel group, through her preoccupation in the 1980s with abjection, melancholia, and love, to her latest work. So...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Chanter, Tina, 1960-, Ziarek, Ewa Płonowska, 1961-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany : State University of New York Press, ©2005.
Colección:SUNY series in gender theory.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Revolt, affect, collectivity :  |b the unstable boundaries of Kristeva's polis /  |c edited by Tina Chanter and Ewa Płonowska Ziarek. 
260 |a Albany :  |b State University of New York Press,  |c ©2005. 
300 |a 1 online resource (vi, 217 pages) 
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490 1 |a SUNY series in gender theory 
504 |a Includes bibliographical references and index. 
505 0 0 |g Introduction /  |r Tina Chanter, Ewa Płonowska Ziarek --  |g PART I. FEMININITY, RACE, AND REVOLT --  |t Julia Kristeva and the revolutionary politics of Tel Quel /  |r Joan Brandt --  |t From revolution to revolt culture /  |r Sara Beardsworth --  |t Kristeva and Fanon: revolutionary violence and ironic articulation /  |r Ewa Płonowska Ziarek --  |t Revolt and forgiveness /  |r Kelly Oliver --  |g PART II. AFFECT, COMMUNITY, POLITICS --  |t The skin of the community: affect and boundary formation /  |r Sara Ahmed --  |t Bearing witness in the Polis: Kristeva, Arendt, and the space of appearance /  |r Noëlle McAfee --  |t Political affections: Kristeva and Arendt on violence and gratitude /  |r Peg Birmingham --  |g PART III. ABJECTION, FILM, AND MELANCHOLIA --  |t The exoticization and universalization of the fetish, and the naturalization of the Phallus: abject objections /  |r Tina Chanter --  |t On the border between abjection and the third: the (re)birth of narcissus in the works of Julia Kristeva /  |r Pleshette DeArmitt --  |t Black and blue: Kieslowski's melancholia /  |r Frances L. Restuccia. 
588 0 |a Print version record. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
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520 |a "These original essays explore how the concept of revolution permeates and unifies Julia Kristeva's body of work by tracing its trajectory from her early engagement with the Tel Quel group, through her preoccupation in the 1980s with abjection, melancholia, and love, to her latest work. Some of the leading voices in Kristeva scholarship examine her reevaluation of the concept of revolt in the context of the changing cultural and political conditions in the West; the questions of the stranger, race, and nation; her reflections on narrative, public spaces, and collectivity in the context of her engagement with Hannah Arendt's work; her development and refinement of the notions of abjection, melancholia, and narcissism in her ongoing interrogation of aesthetics; as well as her contribution to film theory. Focused primarily on Kristeva's newest work- much of it only recently translated into English - this book breaks new ground in Kristeva scholarship."--Jacket 
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700 1 |a Chanter, Tina,  |d 1960- 
700 1 |a Ziarek, Ewa Płonowska,  |d 1961- 
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