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Landscape and film /
Landscape is everywhere in film, but it has been largely overlooked in theory and criticism. This book addresses questions, such as: What kind of landscape is cinematic landscape? How is cinematic landscape different from landscape painting?
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge,
2006.
|
| Colección: | AFI film readers.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The invention of place: Danièle Huillet and Jean-Marie Straub's Moses and Aaron / Jacques Aumont
- Between setting and landscape in the cinema / Martin Lefebvre
- Toward a genealogy of the American landscape: notes on some landscapes in D.W. Griffith (1908-1912) / Jean Mottet
- The course of the empire: sublime landscapes in the American cinema / Maurizia Natali
- Asphalt nomadism: the new desert in Arab independent cinema / Laura U. Marks
- The inhabited view: landscape in the films of David Rimmer / Catherine Russell
- Sites of meaning: Gallipoli and other Mediterranean landscapes in amateur films, (c. 1928-1960) / Heather Nicholson
- The presence (and absence) of landscape in silent east Asian films / Peter Rist
- From flatland to vernacular relativity: the genesis of early English screenscapes / David B. Clarke and Marcus A. Doel
- Landscape and archive: trips around the world as early film topic (1896-1914) / Antonio Costa
- A walk through heterotopia: Peter Greenaway's landscapes by numbers / Bridget Elliott and Anthony Purdy
- Landscape and perception: on Anthony Mann / Tom Conley
- The cinematic void: desert iconographies in Michelangelo Antonioni's Zabriskie Point / Matthew Gandy.