Cargando…

The real gaze : film theory after Lacan /

The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical pot...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McGowan, Todd
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany : State University of New York Press, ©2007.
Colección:SUNY series in psychoanalysis and culture.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 a 4500
001 EBSCO_ocn140253224
003 OCoLC
005 20231017213018.0
006 m o d
007 cr cnu---unuuu
008 070607s2007 nyu ob s001 0 eng d
040 |a N$T  |b eng  |e pn  |c N$T  |d OCLCQ  |d E7B  |d OCLCO  |d OCLCQ  |d OCLCF  |d DKDLA  |d P@U  |d COO  |d OCLCO  |d OCLCQ  |d NLGGC  |d YDXCP  |d OCLCQ  |d OCLCO  |d OCLCQ  |d AZK  |d YDX  |d OCLCO  |d LOA  |d OCLCA  |d COCUF  |d TOA  |d OCLCO  |d OCLCA  |d MOR  |d PIFAG  |d OCLCQ  |d IOG  |d OCLCO  |d WY@  |d OCLCA  |d LUE  |d OCLCA  |d WRM  |d VTS  |d NRAMU  |d AGLDB  |d VT2  |d OCLCQ  |d OCLCO  |d WYU  |d STF  |d M8D  |d UKSSU  |d UWK  |d HS0  |d OCLCQ  |d OCLCO  |d ANO  |d OCLCQ 
019 |a 868030755  |a 961619330  |a 962603794  |a 964549814  |a 1126073595  |a 1162076335  |a 1165305109  |a 1166204488  |a 1290065693  |a 1300708704 
020 |a 9781429471435  |q (electronic bk.) 
020 |a 1429471433  |q (electronic bk.) 
020 |a 0791470393  |q (hardcover ;  |q alk. paper) 
020 |a 9780791470398  |q (hardcover ;  |q alk. paper) 
020 |a 9780791480366 
020 |a 0791480364 
029 1 |a AU@  |b 000051406878 
029 1 |a DEBBG  |b BV043090716 
029 1 |a DEBSZ  |b 422204447 
029 1 |a NZ1  |b 15338259 
035 |a (OCoLC)140253224  |z (OCoLC)868030755  |z (OCoLC)961619330  |z (OCoLC)962603794  |z (OCoLC)964549814  |z (OCoLC)1126073595  |z (OCoLC)1162076335  |z (OCoLC)1165305109  |z (OCoLC)1166204488  |z (OCoLC)1290065693  |z (OCoLC)1300708704 
050 4 |a PN1995  |b .M3795 2007eb 
072 7 |a PER  |x 004030  |2 bisacsh 
082 0 4 |a 791.4301  |2 22 
049 |a UAMI 
100 1 |a McGowan, Todd. 
245 1 4 |a The real gaze :  |b film theory after Lacan /  |c Todd McGowan. 
260 |a Albany :  |b State University of New York Press,  |c ©2007. 
300 |a 1 online resource (xii, 254 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a SUNY series in psychoanalysis and culture 
504 |a Includes bibliographical references (pages 211-245) and index. 
588 0 |a Print version record. 
505 0 |a Fantasy and showing too much -- Theoretical fantasizing -- The politics of cinematic fantasy -- Early explorations of fantasy -- The coldness of Kubrick -- Spike Lee's fantasmatic explostions -- Michael Mann and the ethics of excess -- The bankruptcy of fantasy in Fellini -- Desire and not showing enough -- Theoretical desiring -- The politics of cinematic desire -- The impossible object of the Nouvelle Vague -- The banality of Orson Welles -- Claire Denis and the other's failure to enjoy -- Political desire in Italian neorealism -- The intermixing of desire and fantasy -- The theoretical opposition -- The politics of the cinema of integration -- The ordinary cinema of Ron Howard -- Steven Spielberg's search for the father -- D.W. Griffith's suspense -- Films that separate -- The separation of desire and fantasy -- Theorizing the real -- The politics of the cinema of intersection -- The overlapping worlds of Andrei Tarkovsky -- Alain Resnais between the present and the past -- Wim Wnders and the ethics of fantasizing -- The sexual relationship with David Lynch. 
520 8 |a The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenge the foundations of ideology. This book demonstrates several distinct cinematic forms that vary in terms of how the gaze functions within the films. Through a detailed investigation of directors such as Orson Welles, Claire Denis, Stanley Kubrick, Spike Lee, Federico Fellini, Ron Howard, Steven Spielberg, Andrei Tarkovsky, Wim Wenders, and David Lynch, McGowan explores the political, cultural, and existential ramifications of these differing roles of the gaze. 
546 |a English. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
600 1 7 |a Lacan, Jacques  |d 1901-1981  |2 gnd 
630 0 7 |a Bibel  |p Philemonbrief  |2 gnd 
650 0 |a Film criticism. 
650 0 |a Motion pictures  |x Philosophy. 
650 6 |a Critique cinématographique. 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Film criticism.  |2 fast  |0 (OCoLC)fst00924259 
650 7 |a Motion pictures  |x Philosophy.  |2 fast  |0 (OCoLC)fst01027348 
650 7 |a Filmtheorie  |2 gnd 
650 7 |a Lacan, Jacques  |x Film.  |2 idsbb 
650 7 |a Filmtheorie  |y Geschichte.  |2 idsbb 
650 7 |a Film  |x Ästhetik  |x Geschichte.  |2 idszbz 
650 7 |a Film  |x Philosophie.  |2 idszbz 
776 0 8 |i Print version:  |a McGowan, Todd.  |t Real gaze.  |d Albany : State University of New York Press, ©2007  |z 0791470393  |z 9780791470398  |w (DLC) 2006013426  |w (OCoLC)67405640 
830 0 |a SUNY series in psychoanalysis and culture. 
856 4 0 |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=193037  |z Texto completo 
938 |a ebrary  |b EBRY  |n ebr10575994 
938 |a EBSCOhost  |b EBSC  |n 193037 
938 |a Project MUSE  |b MUSE  |n muse6518 
938 |a YBP Library Services  |b YANK  |n 9449866 
938 |a YBP Library Services  |b YANK  |n 2567357 
994 |a 92  |b IZTAP