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Samuel Beckett and the philosophical image /
Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Becke...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, UK ; New York :
Cambridge University Press,
2006.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Uhlmann, Anthony. | |
| 245 | 1 | 0 | |a Samuel Beckett and the philosophical image / |c Anthony Uhlmann. |
| 260 | |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c 2006. | ||
| 300 | |a 1 online resource (viii, 191 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 150-188) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Representation and presentation : Deleuze, Bergson, Peirce and 'the image' -- Beckett's aesthetic writings and 'the image' -- Relation and nonrelation -- The philosophical imaginary -- Cogito nescio -- Beckett, Berkeley, Bergson, film : the intuition image -- The ancient Stoics and the ontological image. | |
| 520 | |a Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This study, first published in 2006, carefully examines Beckett's thoughts on the image in his literary works and his extensive notes to the philosopher Arnold Geulincx. Uhlmann considers how images might allow one kind of interaction between philosophy and literature, and how Beckett makes use of images which are borrowed from, or drawn into dialogue with, philosophical images from Geulincx, Berkeley, Bergson, and the ancient Stoics. Uhlmann's reading of Beckett's aesthetic and philosophical interests provides a revolutionary reading of the importance of the image in his work. | ||
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| 600 | 1 | 0 | |a Beckett, Samuel, |d 1906-1989 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Beckett, Samuel, |d 1906-1989. |2 fast |0 (OCoLC)fst00035621 |
| 650 | 0 | |a Image (Philosophy) | |
| 650 | 6 | |a Image (Philosophie) | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Image (Philosophy) |2 fast |0 (OCoLC)fst00967475 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Uhlmann, Anthony. |t Samuel Beckett and the philosophical image. |d Cambridge, UK ; New York : Cambridge University Press, 2006 |z 0521865204 |z 9780521865203 |w (OCoLC)70986261 |
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