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|a Turner, Henry S.
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|a The English Renaissance stage :
|b geometry, poetics, and the practical spatial arts 1580-1630 /
|c Henry S. Turner.
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|a Oxford ;
|a New York :
|b Oxford University Press,
|c 2006.
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|a 1 online resource (xv, 326 pages) :
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|a Includes bibliographical references (pages 279-312) and index.
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|a Introduction -- I. Diagram, Image, Icon -- 2. Practical knowledge and the poetics of geometry -- 3. Sir Philip Sidney and the practical imagination -- 4. Noun, foot, and measured line -- II. Stage, wall, scene, plot -- 5. Theatre as a spatial art -- 6. The Topographic stage -- 7. Dramatic form and the projective intelligence -- 8. Ben Jonson's scenography.
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|a Print version record.
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|a Drawing on entirely new evidence, The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630 demonstrates how the drama of Shakespeare, Dekker, Jonson, and others cannot be adequately explained without reference to early scientific thought. The book recovers almost historical moment when playwrights collaborated with carpenters, surveyors, and engineers, and poets borrowed their ideas about literary form from the field of practical. mathematics. - ;Drawing on entirely new evidence, The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts.
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|a Theater
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|a Theater
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|y 17th century
|x History and criticism.
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|a English drama
|y Early modern and Elizabethan, 1500-1600
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|a English drama
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|a Théâtre anglais
|y 16e siècle
|x Histoire et critique.
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650 |
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|a Théâtre anglais
|y 17e siècle
|x Histoire et critique.
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650 |
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|a PERFORMING ARTS
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|a Criticism, interpretation, etc.
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|i Print version:
|a Turner, Henry S.
|t English Renaissance stage.
|d Oxford ; New York : Oxford University Press, 2006
|z 0199287384
|w (DLC) 2005033564
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