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The emergence of romanticism /
Viewed as one of the most tumultuous, momentous movements in the history of world literature, Romanticism and its origins have long been studied by literary critics. In this book, Nicholas Riasanovksy, primarily known as an eminent historian of Russia, offers a refreshing and appealing new interpret...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
1992.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Riasanovsky, Nicholas V. |q (Nicholas Valentine), |d 1923-2011. | |
| 245 | 1 | 4 | |a The emergence of romanticism / |c Nicholas V. Riasanovsky. |
| 260 | |a New York : |b Oxford University Press, |c 1992. | ||
| 300 | |a 1 online resource (viii, 117 pages) | ||
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| 504 | |a Includes bibliographical references (pages 103-109) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a The emergence of romanticism in England -- The emergence of romanticism in Germany -- Some observations on the emergence of romanticism. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 520 | |a Viewed as one of the most tumultuous, momentous movements in the history of world literature, Romanticism and its origins have long been studied by literary critics. In this book, Nicholas Riasanovksy, primarily known as an eminent historian of Russia, offers a refreshing and appealing new interpretation of Romanticism's origins, goals, and influence. The original surge of Romantic thought occurred in England and Germany in the middle to late 1790s, and within a decade had spent itself. Riasanovsky focuses on the explosion of the Romantic impulse, and searches for the origins of the revolutionary vision that made the early Romantic poets in England and Germany take an entirely different view of the world. Pairing two British authors (Wordsworth and Coleridge) with three German authors (Novalis, Friedrich Schlegel, and Wackenroder), Riasanovsky demonstrates that, for all the cultural differences between them, they represent variations on the same "emergence." Essentially, all five were obsessed with the problem of their eternal striving and inability to reach their own goals. All five abandoned the Romantic ideology within a decade and, having supported the goals of the French Revolution in the 1790s, retreated into political conservatism or religious orthodoxy. Riasanovsky identifies the heart of Romanticism as being the creature of a pantheistic religious culture. He stresses that Romanticism was produced only by Western Christian civilization, with its unique view of humankind's relationship to God. The Romantics' frantic and heroic striving for unreachable goals mirrors Christian beliefs in human inability to adequately address God, speak to God, or praise God. Further, Riasanovsky argues that Romantic thought had important political implications, playing a key role in the rise of nationalism in Europe. Offering a historical examination of an area often limited to literary analysis, this book gracefully makes a larger historical statement about the nature and centrality of European Romanticism. Not limited to the cultural historian and the literary critic, The Emergence of Romanticism also makes available to the general reader a jargon-free look at the heady days of Romanticism. | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
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| 600 | 1 | 7 | |a Wordsworth, William (Schriftsteller) |2 swd |
| 600 | 1 | 7 | |a Coleridge, Samuel Taylor. |2 swd |
| 600 | 1 | 7 | |a Novalis. |2 swd |
| 600 | 1 | 7 | |a Wackenroder, Wilhelm Heinrich. |2 swd |
| 650 | 0 | |a English literature |y 18th century |x History and criticism. | |
| 650 | 0 | |a Romanticism |z Great Britain |x History |y 18th century. | |
| 650 | 0 | |a German literature |y 18th century |x History and criticism. | |
| 650 | 0 | |a Comparative literature |x English and German. | |
| 650 | 0 | |a Comparative literature |x German and English. | |
| 650 | 0 | |a Romanticism |z Germany |x History |y 18th century. | |
| 650 | 0 | |a Christianity and literature. | |
| 650 | 0 | |a God in literature. | |
| 650 | 6 | |a Littérature anglaise |y 18e siècle |x Histoire et critique. | |
| 650 | 6 | |a Romantisme |z Grande-Bretagne |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Littérature allemande |y 18e siècle |x Histoire et critique. | |
| 650 | 6 | |a Littérature comparée |x Anglaise et allemande. | |
| 650 | 6 | |a Littérature comparée |x Allemande et anglaise. | |
| 650 | 6 | |a Romantisme |z Allemagne |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Christianisme et littérature. | |
| 650 | 6 | |a Dieu dans la littérature. | |
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| 650 | 7 | |a Christianity and literature |2 fast | |
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| 650 | 7 | |a English literature |2 fast | |
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| 651 | 7 | |a Englisch. |2 swd | |
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| 653 | 0 | |a Literature |a Romanticism | |
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| 776 | 0 | 8 | |i Print version: |a Riasanovsky, Nicholas Valentine, 1923- |t Emergence of romanticism. |d New York : Oxford University Press, 1992 |z 019507341X |w (DLC) 91046113 |w (OCoLC)25025672 |
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