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|a UAMI
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|a Arts in exile in Britain 1933-1945 :
|b politics and cultural identity /
|c edited by Shulamith Behr and Marian Malet.
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|a Amsterdam ;
|a New York :
|b Rodopi,
|c 2005.
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|a 1 online resource (377 pages) :
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|a The yearbook of the Research Centre for German and Austrian Exile Studies ;
|v 6
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|a Includes bibliographical references and index.
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|a Print version record.
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|a "This volume focuses on the contribution of refugees from Nazism to the Arts in Britain. The essays examine the much neglected theme of art in internment and address the spheres of photography, political satire, sculpture, architecture, artists' organisations, institutional models, dealership and conservation. These are considered under the broad headings 'Art as Politics', 'Between the Public and the Domestic' and 'Creating Frameworks'. Such categories assist in posing questions regarding the politics of identity and gender, as well as providing an opportunity to explore the complex issues of cultural formation. The volume will be of interest to scholars and students of twentieth-century art history, museum and conservation studies, politics and cultural studies, in addition to those involved in German Studies and in German and Austrian Exile Studies."--Jacket.
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|a TABLE OF CONTENTS; Table of Illustrations; Preface; Klaus E. Hinrichsen: The Art Historian behind 'Visual Art behind the Wire'; ART AS POLITICS; BETWEEN THE PUBLIC AND THE DOMESTIC; CREATING FRAMEWORKS; Index
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|a Behr, Shulamith.
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|a Malet, Marian.
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|i Print version:
|t Arts in exile in Britain 1933-1945.
|d Amsterdam ; New York : Rodopi, 2005
|z 9042017864
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|a Yearbook of the Research Centre for German and Austrian Exile Studies ;
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