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|a Rainford, Lydia,
|d 1972-
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|a She changes by intrigue :
|b irony, femininity and feminism /
|c Lydia Rainford.
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|a Amsterdam ;
|a New York, NY :
|b Rodopi,
|c 2005.
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|a 1 online resource ([vii], 252 pages)
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|a GENUS : Gender in modern culture,
|x 1568-1602 ;
|v 6
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|a Includes bibliographical references (pages 237-252).
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|a Table of Contents; Acknowledgements; Introduction; Chapter 1 The "Impossible Dialectic": Julia Kristeva; Chapter 2 The Anxiety of Irony: Søren Kierkegaard; Chapter 3 Unsustainable Change? The Traps of Ironic Femininity; Chapter 4 "Irony and Something Else": Jacques Derrida; Chapter 5 Miming History: Sarah Kofman; Afterword The Lesson of Irony, The Future of Feminism; Works Cited.
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|a Contemporary feminist theorists have implied a special affinity between women and irony because of their 'double' relation to the prevailing order of things: both speak from within this order while remaining 'other' to it in some way. Irony can be regarded as the obvious mode in which a feminist might speak, as it reflects her relation to the patriarchal structure while refusing to validate the truth of the current sexual hierarchy. She Changes by Intrigue undertakes the first sustained analysis of the parallels between irony, femininity and feminism. By retracing the association of these term.
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|a Feminist theory.
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|a Femininity in literature.
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|a Femininity (Philosophy)
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|a Irony.
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|a Théorie féministe.
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|a Féminité dans la littérature.
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|a Féminité (Philosophie)
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|a Ironie.
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|a irony.
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|a Feminist theory
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|i Print version:
|a Rainford, Lydia, 1972-
|t She changes by intrigue.
|d Amsterdam ; New York, NY : Rodopi, 2005
|z 9042016078
|w (OCoLC)62186016
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|a Genus--gender in modern culture ;
|v 6.
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