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Hearing the motet : essays on the motet of the Middle Ages and Renaissance /

The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verb...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Pesce, Dolores
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, 1997.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The polyphonic progeny of an Et gaudebit: assessing family relations in the thirteenth-century motet / Rebecca A. Baltzer
  • Beyond glossing: the old made new in Mout me fu grief/Robin m'aime/Portare / Dolores Pesce
  • Which Vitry? the witness of the Trinity motet from the Roman de Fauvel / Anne Walters Robertson
  • Polyphony of texts and music in the fourteenth-century motet: Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur and its "quotations" / Margaret Bent
  • Du Fay and the cultures of Renaissance Florence / Robert Nosow
  • For whom the bell tolls: reading and hearing Busnoys's Anthoni usque limina / Rob C. Wegman
  • Love and death in the fifteenth-century motet: a reading of Busnoys's Anima mea liquefacta est/Stirps Jesse / Paula Higgins
  • Obrecht as exegete: reading Factor orbis as a Christmas sermon / M. Jennifer Bloxam
  • Conflicting levels of meaning and understanding in Josquin's O admirabile commercium motet cycle / Richard Sherr
  • Josquin, Good King René, and O bone et dulcissime Jesu / Patrick Macey
  • Miracles, motivicity, and mannerism: Adrian Willaert's Videns Dominus flentes sorores Lazari and some aspects of motet composition in the 1520s / Joshua Rifkin
  • Lasso as historicist: the cantus-firmus motets / James Haar
  • Tonal compass in the motets of Orlando di Lasso / David Crook
  • Palestrina as reader: motets from the Song of songs / Jessie Ann Owens
  • On William Byrd's Emendemus in melius / Joseph Kerman
  • Byrd, the Catholics, and the motet: the hearing reopened / Craig Monson.