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|a Keane, Catherine.
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|a Figuring genre in Roman satire /
|c Catherine Keane.
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|a Oxford ;
|a New York :
|b Oxford University Press,
|c 2006.
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300 |
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|a 1 online resource (182 pages)
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|a text
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|a American classical studies ;
|v v. 50
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|a Includes bibliographical references (pages 165-174) and index.
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|a Print version record.
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|a The theatrics of satire -- Satiric attack -- Satire and the law -- Teaching satire -- Conclusion : observing Romans.
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|3 Use copy
|f Restrictions unspecified
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|a Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, exploit this double identity to produce their colorful commentaries on social life and behavior. In a fresh comparative study that combines literary and cultural analysis, Catherine Keane reveals how the satirists create such a vivid and incisive portrayal of the Roman social world. Throughout the tradition, the narrating satirist figure does not observe human behavior from a distance, but adopts a range of charged social roles to gain access to his subject matter. In his mission to entertain and moralize, he poses alternately as a theatrical performer and a spectator, a perpetrator and victim of violence, a jurist and criminal, a teacher and student. In these roles, the satirist conducts penetrating analyses of Rome's definitive social practices "from the inside." Satire's reputation as the quintessential Roman genre is thus even more justified than previously recognized. As literary artists and social commentators, the satirists rival the grandest authors of the classical canon. They teach their ancient and modern readers two important lessons.; First, satire reveals the inherent fragilities and complications, as well as acknowledging the benefits, of Roman society's most treasured institutions. The satiric perspective deepens our understanding of Roman ideologies and their fault lines. As the poets show, no system of judgment, punishment, entertainment, or social organization is without its flaws and failures. At the same time, readers are encouraged to view the satiric genre itself as a composite of these systems, loaded with cultural meaning and highly imperfect. The satirist who functions as both subject and critic, trains his readers to develop a critical perspective on every kind of authority, including his own.
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Verse satire, Latin
|x History and criticism.
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650 |
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|a Literary form
|x History
|y To 1500.
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650 |
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|a Literature and society
|z Rome.
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|a Social problems in literature.
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|a Poésie satirique latine
|x Histoire et critique.
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|a Littérature et société
|z Rome.
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|a Problèmes sociaux dans la littérature.
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|a POETRY
|x Ancient, Classical & Medieval.
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|a Literature and society
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|a Social problems in literature
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|a Verse satire, Latin
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|a Rome (Empire)
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|a Satura
|2 gnd
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|a To 1500
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|i Print version:
|a Keane, Catherine.
|t Figuring genre in Roman satire.
|d Oxford ; New York : Oxford University Press, 2006
|z 0195183304
|w (DLC) 2005023766
|w (OCoLC)61295916
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830 |
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|a American classical studies ;
|v no. 50.
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