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|a UAMI
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|a Oesmann, Astrid,
|d 1961-
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| 245 |
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|a Staging history :
|b Brecht's social concepts of ideology /
|c Astrid Oesmann.
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| 260 |
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|a Albany :
|b State University of New York Press,
|c ©2005.
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|a 1 online resource (ix, 231 pages)
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|a text
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|a online resource
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|a Includes bibliographical references (pages 207-223) and index.
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| 505 |
0 |
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|a Brecht and theory. Realism and reversed perception ; Art as the speaker of history ; Natural history ; Mimetic activities -- Prehistories. The theatrical destruction of subjectivity ; The unorganized material ; Instincts and transformations -- Man between material and social order. Material against identity: Mann ist Mann ; Brecht's concept of the public sphere ; The captured material (exploitation/imploitation) ; Political distinctions -- Revolution: change and persistence. The teaching plays: brecht's theory of poverty ; Social space and human standing ; Einverständnis: consensus in crisis ; Subject bound/thought unbound ; Defacement and death -- Brecht's archaeology of knowledge. The genealogy of terror ; Memory and morality ; Body in time: Haltung ; Thought in time: Lehre.
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|a Brecht, Bertolt,
|d 1898-1956
|x Political and social views.
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| 600 |
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|a Brecht, Bertolt,
|d 1898-1956
|x Criticism and interpretation.
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|d 1898-1956
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|x Continental European.
|2 bisacsh
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| 650 |
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|a Political and social views
|2 fast
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| 655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Oesmann, Astrid, 1961-
|t Staging history.
|d Albany : State University of New York Press, ©2005
|z 0791463850
|w (DLC) 2004007224
|w (OCoLC)54844200
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