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Drama, theater, and identity in the American New Republic /
Jeffrey Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theater is viewed by Richards as a transatlantic hybr...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
©2005.
|
| Colección: | Cambridge studies in American theatre and drama ;
22. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: American identities and the transatlantic stage.
- Staging revolution at the margins of celebration.
- Revolution and unnatural identity in Crèvecoeur's "Landscapes"
- British author, American text: The Poor Soldier in the new republic.
- American author, British source: writing revolution in Murray's Traveler Returned.
- Patriotic interrogations: committees of safety in early American drama.
- Dunlap's queer André: versions of revolution and manhood.
- Coloring identities: race, religion, and the exotic.
- Susanna Rawson and the dramatized Muslim.
- James Nelson Barker and the stage American Native.
- American stage Irish in the early republic.
- Black theater, white theater, and the stage African.
- Theodore, culture, and reflected identity.
- Tales of the Philadelphia Theodore: Osmond, national performance, and supranational identity.
- A British or an American tar? Play, player, and spectator in Norfolk, 1797-1800.
- After The Contrast: Tyler, civic virtue, and the Boston stage.