Cargando…
Bachelors /
These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass. :
MIT Press,
©1999.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocm62329696 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 051123s1999 maua ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e pn |c N$T |d OCLCQ |d YDXCP |d OCLCQ |d N$T |d OCLCQ |d OCLCO |d OCLCQ |d OCLCF |d NLGGC |d OCLCO |d OCL |d OCLCQ |d VTS |d AGLDB |d AU@ |d MITPR |d UWO |d OCLCQ |d STF |d CNTRU |d M8D |d SFB |d UKSSU |d OCLCO |d OCLCQ | ||
| 019 | |a 149662544 |a 1069505714 |a 1097268626 |a 1150192950 |a 1154842369 | ||
| 020 | |a 9780262277600 |q (electronic bk.) | ||
| 020 | |a 0262277603 |q (electronic bk.) | ||
| 020 | |a 1423737814 |q (electronic bk.) | ||
| 020 | |a 9781423737810 |q (electronic bk.) | ||
| 029 | 1 | |a AU@ |b 000051349543 | |
| 029 | 1 | |a AU@ |b 000051617372 | |
| 029 | 1 | |a DEBBG |b BV043100677 | |
| 029 | 1 | |a DEBSZ |b 422307165 | |
| 029 | 1 | |a GBVCP |b 801364973 | |
| 035 | |a (OCoLC)62329696 |z (OCoLC)149662544 |z (OCoLC)1069505714 |z (OCoLC)1097268626 |z (OCoLC)1150192950 |z (OCoLC)1154842369 | ||
| 037 | |a 1504 |b MIT Press | ||
| 037 | |a 9780262277600 |b MIT Press | ||
| 050 | 4 | |a NX180.F4 |b K73 1999eb | |
| 072 | 7 | |a ART |x 050000 |2 bisacsh | |
| 082 | 0 | 4 | |a 704/.042 |2 22 |
| 084 | |a 20.10 |2 bcl | ||
| 049 | |a UAMI | ||
| 100 | 1 | |a Krauss, Rosalind E. | |
| 245 | 1 | 0 | |a Bachelors / |c Rosalind E. Krauss. |
| 260 | |a Cambridge, Mass. : |b MIT Press, |c ©1999. | ||
| 300 | |a 1 online resource (222 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a "October books." | ||
| 504 | |a Includes bibliographical references (pages 207-218) and index. | ||
| 505 | 0 | |a Claude Cahun and Dora Maar: by way of introduction -- Louise Bourgeois: portrait of the artist as fillette -- Agnes Martin: the /cloud/ -- Eva Hesse: contingent -- Cindy Sherman: untitled -- Francesca Woodman: problem sets -- Sherrie Levine: bachelors -- Louise Lawler: souvenir memories. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media. These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these "bachelors" are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the "part object" (Louise Bourgeois) or the "formless" (Cindy Sherman) could be said to find its power in strategies associated with such concepts as ecriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Feminism and the arts. | |
| 650 | 0 | |a Originality in art. | |
| 650 | 0 | |a Surrealism |x Influence. | |
| 650 | 0 | |a Women artists |x Psychology. | |
| 650 | 6 | |a Féminisme et arts. | |
| 650 | 6 | |a Originalité dans l'art. | |
| 650 | 6 | |a Surréalisme |x Influence. | |
| 650 | 6 | |a Femmes artistes |x Psychologie. | |
| 650 | 7 | |a ART |x Subjects & Themes |x General. |2 bisacsh | |
| 650 | 7 | |a Feminism and the arts. |2 fast |0 (OCoLC)fst00922747 | |
| 650 | 7 | |a Originality in art. |2 fast |0 (OCoLC)fst01048192 | |
| 650 | 7 | |a Surrealism |x Influence. |2 fast |0 (OCoLC)fst01139540 | |
| 650 | 7 | |a Women artists |x Psychology. |2 fast |0 (OCoLC)fst01177167 | |
| 653 | |a ARTS/General | ||
| 776 | 0 | 8 | |i Print version: |a Krauss, Rosalind E. |t Bachelors. |d Cambridge, Mass. : MIT Press, ©1999 |z 0262112396 |w (DLC) 98040301 |w (OCoLC)39739702 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=138701 |z Texto completo |
| 938 | |a EBSCOhost |b EBSC |n 138701 | ||
| 938 | |a YBP Library Services |b YANK |n 2367507 | ||
| 938 | |a YBP Library Services |b YANK |n 3411122 | ||
| 994 | |a 92 |b IZTAP | ||