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For more than one voice : toward a philosophy of vocal expression /
The human voice does not deceive. The one who is speaking is inevitably revealed by the singular sound of her voice, no matter "what" she says. We take this fact for granted--for example, every time someone asks, over the telephone, "Who is speaking?" and receives as a reply the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Italiano |
| Publicado: |
Stanford, Calif. :
Stanford University Press,
2005.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cavarero, Adriana. | |
| 240 | 1 | 0 | |a A piy voci. |l English |
| 245 | 1 | 0 | |a For more than one voice : |b toward a philosophy of vocal expression / |c Adriana Cavarero ; translated and with an introduction by Paul A. Kottman. |
| 260 | |a Stanford, Calif. : |b Stanford University Press, |c 2005. | ||
| 300 | |a 1 online resource (xxv, 264 pages) | ||
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| 504 | |a Includes bibliographical references (pages 242-262) and index. | ||
| 505 | 0 | |a How logos lost its voice -- Women who sing -- A politics of voices. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 520 | |a The human voice does not deceive. The one who is speaking is inevitably revealed by the singular sound of her voice, no matter "what" she says. We take this fact for granted--for example, every time someone asks, over the telephone, "Who is speaking?" and receives as a reply the familiar utterance, "It's me." Starting from the given uniqueness of every voice, Cavarero rereads the history of philosophy through its peculiar evasion of this embodied uniqueness. She shows how this history--along with the fields it comprehends, such as linguistics, musicology, political theory, and studies in orality--might be grasped as the "devocalization of Logos," as the invariable privileging of semantike over phone, mind over body. Female figures--from the Sirens to the Muses, from Echo to opera singers--provide a crucial counterhistory, one in which the embodied voice triumphs over the immaterial semantic. Reconstructing this counterhistory, Cavarero proposes a "politics of the voice" wherein the ancient bond between Logos and politics is reconfigured, and wherein what matters is not the communicative content of a given discourse, but rather who is speaking | ||
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