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Opus ultimum : the story of the Mozart Requiem /

The haunting beauty of Mozart's Requiem and the tragic circumstances surrounding its composition have made it a favorite among performers and listeners alike. But how much of it is actually Mozart's -- and how do we know? Who wrote the missing pieces? What role did his wife Constanze play...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Leeson, Daniel N.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Algora Pub., ©2004.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Prologue : The romance of Mozart's Requiem -- The very beginning -- Two memorials for a tragic event -- Introducing the pivotal character -- Events become controlled -- Selecting the completer -- Süssmayr and Constanze's constancy -- Defining "incomplete" -- First dimension -- First dimension : Kyrie -- First dimension : Dies irae to Hostias -- Second dimension -- Süssmayr a plagiarist? -- Amanuensis -- Scraps of paper -- Too good for Süssmayr -- Tune duplication -- The lesser talent -- Brussels desecration -- Third dimension -- The Requiem is completed -- Ends and means -- Count Walsegg's story -- Scandal! -- The manuscript is reassembled -- A festival of misfortunes and death -- Contemporary Süssmayrs -- In the Requiem's healing embrace -- Epilogue : a fiction story. 
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520 |a The haunting beauty of Mozart's Requiem and the tragic circumstances surrounding its composition have made it a favorite among performers and listeners alike. But how much of it is actually Mozart's -- and how do we know? Who wrote the missing pieces? What role did his wife Constanze play -- and what about the man who secretly commissioned the work? Who tricked whom, and who had the last laugh in this grim tale? The author, an internationally recognized expert on Mozart, traces the complex web of events and intrigue that produced the Requiem and miraculously preserved it for posterity. Here is an accurate, precise, complete narrative of the dramatic story, minus the difficult terms and musicological obscurities; with a spoonful of sugar, the author introduces some of the technical problems, clues and terminology used in reconstructing such histories. 
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