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Russian literary culture in the camera age : the word as image /

"This book explores how one of the world's most literary-oriented societies entered the modern visual era, beginning with the advent of photography in the nineteenth century, focusing then on literature's role in helping to shape cinema as a tool of official totalitarian culture durin...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hutchings, Stephen C.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : RoutledgeCurzon, 2004.
Colección:BASEES/RoutledgeCurzon series on Russian and East European studies ; 14.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hutchings, Stephen C. 
245 1 0 |a Russian literary culture in the camera age :  |b the word as image /  |c Stephen Hutchings. 
260 |a London ;  |a New York :  |b RoutledgeCurzon,  |c 2004. 
300 |a 1 online resource (xi, 225 pages, 16 unnumbered pages of plates) :  |b illustrations 
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490 1 |a BASEES/RoutledgeCurzon series on Russian and East European studies ;  |v 14 
504 |a Includes bibliographical references (pages 187-220) and index. 
505 0 |a Russian realism and the camera : out from under Gogol's 'portrait' -- Objectivity, alienation and the fragmentation of the subject : the camera as midwife to modernity -- Photographic eye as poetic I : dialogues of text and image in Maiakovskii's and Rodchenko's Pro eto project -- The Stalinist ekranizatsiia as embodied word -- Shooting the canon : ekranizatsii and the (de)centring of Stalinist culture -- Metatextuality in the post-Stalinist ekranizatsiia : the official sphere unravels -- Hamlet with a guitar : the autobiographical persona of Vladimir Vysotskii as an intermedia phenomenon -- Literature as translation mechanism in post-Soviet televisual representations of Westernness -- In place of a conclusion : television, the end of literature and Pelevin's generation 'P'. 
588 0 |a Print version record. 
520 1 |a "This book explores how one of the world's most literary-oriented societies entered the modern visual era, beginning with the advent of photography in the nineteenth century, focusing then on literature's role in helping to shape cinema as a tool of official totalitarian culture during the Soviet period, and concluding with an examination of post-Soviet Russia's encounter with global television. As well as pioneering the exploration of this important new area in Slavic Studies, the book illuminates aspects of cultural theory by investigating how the Russian case affects general notions of literature's fate within post-literate culture, the ramifications of communism's fall for media globalization, and the applicability of text/image models to problems of intercultural exchange"--Jacket 
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650 0 |a Ekphrasis. 
650 0 |a Literature and photography. 
650 0 |a Motion pictures and literature. 
650 0 |a Television and literature. 
650 6 |a Littérature russe  |x Histoire et critique. 
650 6 |a Ekphrasis. 
650 6 |a Littérature et photographie. 
650 6 |a Cinéma et littérature. 
650 6 |a Télévision et littérature. 
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830 0 |a BASEES/RoutledgeCurzon series on Russian and East European studies ;  |v 14. 
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