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The simple flute : from A to Z /
For professional and amateur flautists as well as students of the flute, this book offers a practical introduction to all aspects of playing the flute. Using an accessible A-Z format, the author offers a logical and imaginative work on flute performance that places technique at the service of music...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Oxford ; New York :
Oxford University Press,
2002.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Debost, Michel. | |
| 240 | 1 | 0 | |a Simple flûte. |l English |
| 245 | 1 | 4 | |a The simple flute : |b from A to Z / |c Michel Debost ; illustrated by Jeanne Debost-Roth. |
| 260 | |a Oxford ; |a New York : |b Oxford University Press, |c 2002. | ||
| 300 | |a 1 online resource (282 pages) : |b illustrations | ||
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| 546 | |a Translated from French. | ||
| 504 | |a Includes bibliographical references (pages 269-270). | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a For professional and amateur flautists as well as students of the flute, this book offers a practical introduction to all aspects of playing the flute. Using an accessible A-Z format, the author offers a logical and imaginative work on flute performance that places technique at the service of music on every page. In these concise essays, readers will find simple, sensible answers to all of the problems flautists regularly encounter. Debost covers the expected topics - such as breathing, articulation, and tone - and offers personal insights into such issues as "jawboning", "finger phrasing," and "the little devils." | ||
| 505 | 0 | |a A to Z in Form of Introduction; Accompaniment; Acoustics; Agogic; Air Column; Air Speed; Alignment; Appoggiatura; Appoggio; Arpeggio; Articulation; Attacks; Beginners; Blowing Long Phrases; Breathing 1: Generalities; Breathing 2: Mechanics; Breathing 3: Where Not to Breathe; Breathing 4: Where to Breathe; Bridge; Center of Gravity; Circular Blowing; Concentration, Relaxation; Diaphragm; Dynamics; Embouchure; Études; Fingerings; Finger Antagonisms; Finger Phrasing; Flutes; Focus; Freedom; Grace Notes; Hands; Hierarchy of Beats; Images; Interpretation; Interpreting Accents; Intervals. | |
| 505 | 8 | |a Intonation, IntonationsIsometrics; Jawboning; Keys; Lips; Little Devils; Memory; Muscle Groups; Muscles, Strong and Weak; Notes; Pain and Pleasure; Paris Conservatoire and French School; Phrasing; Posture; Practicing; Programs; Quodlibet; Repertoire; Resonance; Rituals; Rest; Rubato; Scale Game; Silence; Stability; Stepping-Stones; Stress; Style; Technique; Tempo; Tonguing; Trills; Tuning; Unusual Trill Fingerings; Vibrato; Warm-Ups; Yawning; Zeal in Form of Conclusion; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. | |
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