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Chromatic transformations in nineteenth-century music /

David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conc...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kopp, David
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge ; New York : Cambridge University Press, ©2002.
Edición:1st ed.
Colección:Cambridge studies in music theory and analysis ; 17.
Temas:
Acceso en línea:Texto completo
Descripción
Sumario:David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann, and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann, and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory, and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully-fledged entities into a chromatically-based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.--Publisher description.
Descripción Física:1 online resource (xiii, 275 pages) : illustrations
Bibliografía:Includes bibliographical references (pages 264-269) and index.
ISBN:9780511481932
0511481934
0511063725
9780511063725
1280419091
9781280419096
9786610419098
6610419094