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Understanding cinema : a psychological theory of moving imagery /
Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators interpret, feel, make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing on psychology and anthropology,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2003.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Persson, Per, |d 1970- | |
| 245 | 1 | 0 | |a Understanding cinema : |b a psychological theory of moving imagery / |c Per Persson. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2003. | ||
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| 504 | |a Includes bibliographical references (pages 261-275) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; CHAPTER ONE Understanding and Dispositions; CHAPTER TWO Understanding Point-of-View Editing; CHAPTER THREE Variable Framing and Personal Space; CHAPTER FOUR Character Psychology and Mental Attribution; CHAPTER FIVE The Case for a Psychological Theory of Cinema; Notes; References; Index. | |
| 520 | |a Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators interpret, feel, make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing on psychology and anthropology, he explains how cinematic techniques work, and why they affect the spectator. | ||
| 546 | |a English. | ||
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| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 6 | |a Cinéma |x Aspect psychologique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
| 650 | 7 | |a Psychologie |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
| 650 | 1 | 7 | |a Vertelsituatie. |2 gtt |
| 650 | 1 | 7 | |a Psychologische aspecten. |2 gtt |
| 776 | 0 | 8 | |i Print version: |a Persson, Per, 1970- |t Understanding cinema. |d Cambridge ; New York : Cambridge University Press, 2003 |z 052181328X |w (DLC) 2002034988 |w (OCoLC)50694795 |
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