Essays on literature and music (1967-2004) /

The present volume meets a frequently expressed demand as it is the first collection of all the relevant essays and articles which Steven Paul Scher has written on Literature and Music over a period of almost forty years in the field of Word and Music Studies. Scher, The Daniel Webster Professor of...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Scher, Steven P. (Steven Paul)
Otros Autores: Bernhart, Walter, Wolf, Werner, 1955-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam ; New York : Rodopi, ©2004.
Colección:Word and music studies ; 5.
Temas:
Music and literature.
Music in literature.
Musique et littérature.
Musique dans la littérature.
MUSIC > Reference.
MUSIC > Genres & Styles > Classical.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Preface
  • Walter BERNHART: Masterminding Word and Music Studies: A Tribute to Steven Paul Scher
  • Essays on Literature and Music by Steven Paul Scher
  • Thomas Mann's 'Verbal Score': Adrian Leverkühn's Symbolic Confession (1967)
  • Notes Toward a Theory of Verbal Music (1970)
  • How Meaningful is 'Musical' in Literary Criticism? (1972)
  • Brecht's Die sieben Todsünden der Kleinbürger: Emblematic Structure as Epic Spectacle (1974)
  • "O Wort, du Wort, das mir fehlt!": Der Realismusbegriff in der Musik (1975)
  • Kreativität als Selbstüberwindung: Thomas Manns permanente 'Wagner-Krise' (1976)
  • Temporality and Mediation: W. H. Wackenroder and E. T. A. Hoffmann as Literary Historicists of Music (1976)
  • Carl Maria von Weber's Tonkünstlers Leben: The Composer as Novelist? (1978)
  • Beethoven and the Word: Literary Affinity or Artistic Necessity? (1980/81)
  • Comparing Literature and Music: Current Trends and Prospects in Critical Theory and Methodology (1981)
  • Literature and Music (1982)
  • Theory in Literature, Analysis in Music: What Next? (1983)
  • Comparing Poetry and Music: Beethoven's Goethe Lieder as Composed Reading (1986)
  • The Strauss-Hofmannsthal Operatic Experiment: Tradition, Modernity, or Avant-Garde? (1987)
  • E. T. A. Hoffmann: Der Dichter als Komponist (1987)
  • Mignon in Music (1988)
  • The German Lied: A Genre and Its European Reception (1990)
  • "Tutto nel mondo è burla": Humor in Music? (1991)
  • Liszt and Literature (1991)
  • Musicopoetics or Melomania: Is There a Theory behind Music in German Literature? (1992)
  • Hoffmann, Weber, Wagner: The Birth of Romantic Opera from the Spirit of Literature? (1992)
  • Der Opernkomponist Hoffmann und das europäische Musiktheater seiner Zeit (1993)
  • Da Ponte und Mozart: Wort und Ton in Don Giovanni (1994)
  • Acoustic Experiment as Ephemeral Spectacle?: Musical Futurism, Dada, Cage, and the Talking Heads (1994)
  • Mozart
  • an Epistolary Aesthetician? (1997)
  • E. T. A. Hoffmanns "Der Dichter und der Komponist": Manifest romantischer Librettologie oder melopoetische Erzählfiktion? (1998)
  • Melopoetics Revisited: Reflections on Theorizing Word and Music Studies (1999)
  • Judith Weir's Heaven Ablaze in His Breast: A Postmodern Dance Opera Based on E. T. A. Hoffmann's "The Sandman" (2000/2004)
  • Eine Berlinische Geschichte: Hoffmanns Brautwahl in Busonis Opernbuch? (2004)
  • Sources
  • Acknowledgements.

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