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Feminist views on the English stage : women playwrights, 1990-2000 /
This is a study of contemporary drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
©2003.
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| Colección: | Cambridge studies in modern theatre.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Aston, Elaine. | |
| 245 | 1 | 0 | |a Feminist views on the English stage : |b women playwrights, 1990-2000 / |c Elaine Aston. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c ©2003. | ||
| 300 | |a 1 online resource (x, 237 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file | ||
| 490 | 1 | |a Cambridge studies in modern theatre | |
| 504 | |a Includes bibliographical references (pages 215-228) and index. | ||
| 505 | 0 | |a A feminist view on the 1990s -- Telling feminist tales: Caryl Churchill -- Saying no to daddy: child sexual abuse, the 'Big Hysteria' -- Girl power, the new feminism? -- The 'bad girl of our stage?': Sarah Kane -- Performing identities -- Feminist connections to a multicultural 'scene' -- Feminism past, and future?: Timberlake Wertenbaker -- Tales for the twenty-first century: final reflections. | |
| 520 | |a This is a study of contemporary drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores new writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.--Publisher description. | ||
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Feminist drama, English |x History and criticism. | |
| 650 | 0 | |a Feminism and literature |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a Women and literature |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a English drama |x Women authors |x History and criticism. | |
| 650 | 0 | |a English drama |y 20th century |x History and criticism. | |
| 650 | 6 | |a Femmes et littérature |z Grande-Bretagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Théâtre anglais |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English drama. |2 fast |0 (OCoLC)fst00910737 | |
| 650 | 7 | |a English drama |x Women authors. |2 fast |0 (OCoLC)fst00910790 | |
| 650 | 7 | |a Feminism and literature. |2 fast |0 (OCoLC)fst00922735 | |
| 650 | 7 | |a Feminist drama, English. |2 fast |0 (OCoLC)fst00922762 | |
| 650 | 7 | |a Women and literature. |2 fast |0 (OCoLC)fst01177093 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 650 | 7 | |a Théâtre anglais. |2 rasuqam | |
| 650 | 7 | |a Théâtre féministe. |2 rasuqam | |
| 650 | 7 | |a Féminisme. |2 rasuqam | |
| 650 | 7 | |a Femme. |2 rasuqam | |
| 650 | 7 | |a Littérature. |2 rasuqam | |
| 650 | 7 | |a Écrivaine. |2 rasuqam | |
| 650 | 7 | |a 20e siècle. |2 rasuqam | |
| 651 | 7 | |a Grande-Bretagne. |2 rasuqam | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Aston, Elaine. |t Feminist views on the English stage. |d Cambridge, England ; New York : Cambridge University Press, 2003 |z 052180003X |w (DLC) 2003051551 |w (OCoLC)52178651 |
| 830 | 0 | |a Cambridge studies in modern theatre. | |
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