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Film structure and the emotion system /
"Films evoke broad moods and cue particular emotions that can bewidely shared as well as individually experienced. Although the experience of emotion is central to the movie viewing, film studies have neglected to focus attention on the emotions, relying instead on vague psychoanalytic concepts...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2003, ©2003.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Part One. Developing the Approach
- 1. An Invitation to Feel
- 2. The Emotion System and Nonprototypical Emotions
- 3. The Mood-Cue Approach to Filmic Emotion
- 4 . Other Cognitivisms
- Part Two. Analyzing Emotional Appeals in Film
- 5. "Couldn't You Read between Those Pitiful Lines?": Feeling for Stella Dallas
- 6. Strike-ing Out: The Partial Success of Early Eisenstein's Emotional Appeal
- 7. Lyricism and Unevenness: Emotional Transitions in Renoir's A Day in the Country and The Lower Depths
- 8. EmotionWork: The Joy Luck Club and the Limits of the Emotion System
- 9. "I Was Misinformed": Nostalgia and Uncertainty in Casablanca
- Part Three. Afterword
- 10. An Invitation to Interpret
- Appendix. The Neurological Basis of Psychoanalytic Film Theory: Metz's Emotional Debt to Freud the Biologist.