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Neo-Baroque aesthetics and contemporary entertainment /
Tracing the logic of media history, from the baroque to the neo-baroque, from magic lanterns and automata to film and computer games. The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imb...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass. :
MIT Press,
©2004.
|
| Colección: | Media in transition.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ndalianis, Angela, |d 1960- | |
| 245 | 1 | 0 | |a Neo-Baroque aesthetics and contemporary entertainment / |c Angela Ndalianis. |
| 260 | |a Cambridge, Mass. : |b MIT Press, |c ©2004. | ||
| 300 | |a 1 online resource (xiv, 323 pages) : |b illustrations, maps | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Media in transition | |
| 504 | |a Includes bibliographical references (pages 297-312) and index. | ||
| 505 | 0 | |a Polycentrism and seriality : (Neo- )Baroque narrative formations -- Intertextuality, labyrinths, and the (Neo- )Baroque -- Hypertexts, mappings, and colonized spaces -- Virtuosity, special-effects spectacles, and architectures of the senses -- Special-effects magic and the spiritual presence of the technological. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Tracing the logic of media history, from the baroque to the neo-baroque, from magic lanterns and automata to film and computer games. The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment, she situates today's film, computer games, comic books, and theme-park attractions within an aesthetic-historical context and uses the baroque as a framework to enrich our understanding of contemporary entertainment media. The neo-baroque aesthetics that Ndalianis analyzes are not, she argues, a case of art history repeating or imitating itself; these forms have emerged as a result of recent technological and economic transformations. The neo-baroque forms combine sight and sound and text in ways that parallel such seventeenth-century baroque forms as magic lanterns, automata, painting, sculpture, and theater but use new technology to express the concerns of the late twentieth and early twenty-first century. Moving smoothly from century to century, comparing ceiling paintings to the computer game Doom, a Spiderman theme park adventure to the baroque version of multimedia known as the Bel Composto, and a Medici wedding to Terminator 2:3D, the book demonstrates the logic of media histories. Ndalianis focuses on the complex interrelationships among entertainment media and presents a rigorous cross-genre, cross-historical analysis of media aesthetics. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Motion pictures. | |
| 650 | 0 | |a Mass media. | |
| 650 | 0 | |a Mass media |x Technological innovations. | |
| 650 | 0 | |a Cinematography |x Special effects. | |
| 650 | 0 | |a Civilization, Baroque. | |
| 650 | 0 | |a Video games. | |
| 650 | 2 | |a Video Games | |
| 650 | 6 | |a Médias. | |
| 650 | 6 | |a Médias |x Innovations. | |
| 650 | 6 | |a Cinéma |x Effets spéciaux. | |
| 650 | 6 | |a Civilisation baroque. | |
| 650 | 6 | |a Jeux vidéo. | |
| 650 | 7 | |a mass media. |2 aat | |
| 650 | 7 | |a video games. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Cinematography |x Special effects. |2 fast |0 (OCoLC)fst00861506 | |
| 650 | 7 | |a Civilization, Baroque. |2 fast |0 (OCoLC)fst00862985 | |
| 650 | 7 | |a Mass media. |2 fast |0 (OCoLC)fst01011219 | |
| 650 | 7 | |a Mass media |x Technological innovations. |2 fast |0 (OCoLC)fst01011322 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Video games. |2 fast |0 (OCoLC)fst01166421 | |
| 650 | 7 | |a Film. |2 hilcc | |
| 650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
| 653 | |a DIGITAL HUMANITIES & NEW MEDIA/New Media Art | ||
| 653 | |a ARTS/Art History/General | ||
| 653 | |a DIGITAL HUMANITIES & NEW MEDIA/New Media History | ||
| 655 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01726252 | |
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