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|a UAMI
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|a Early musical borrowing /
|c edited by Honey Meconi.
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|a New York :
|b Routledge,
|c 2004.
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|a 1 online resource (xvii, 230 pages) :
|b illustrations
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|a text
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|a data file
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|a Criticism and analysis of early music
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|a Includes bibliographical references (pages 207-218) and index.
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|a Cultural context for the chanson mass / M. Jennifer Bloxam --Ockeghem and intertextuality : a composer interprets himself / Murray Steib -- The illusion of allusion / Jenny Hodgson -- Interpreting and dating Josquin's Missa Hercules dux ferrariae / Christopher Reynolds -- Habsburg-Burgundian manuscripts, borrowed material, and the practice of naming / Honey Meconi -- Aspects of musical borrowing in the polyphonic Missa de feria of the fifteenth and sixteenth centuries / Andrew H. Weaver -- Mid-sixteenth-century chanson masses : a kaleidoscopic process / Cathy Ann Elias -- Melodic citation in the sixteenth-century motet / Michele Fromson.
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|a Print version record.
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|a This collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music.
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546 |
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|a English.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Music
|z Europe
|y 15th century
|x History and criticism.
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|a Music
|z Europe
|y 16th century
|x History and criticism.
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|a Quotation in music.
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650 |
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|a Citation dans la musique.
|
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|a MUSIC
|x History & Criticism.
|2 bisacsh
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|a Europe
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|a 1400-1599
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|a Electronic books.
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|a Criticism, interpretation, etc.
|2 fast
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|a Meconi, Honey.
|4 edt
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|i Print version:
|t Early musical borrowing.
|d New York : Routledge, 2004
|z 0815335210
|w (DLC) 2003008838
|w (OCoLC)52086242
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830 |
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|a Criticism and analysis of early music.
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