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|a Skantze, P. A.,
|d 1957-
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|a Stillness in motion in the seventeenth-century theatre /
|c P.A. Skantze.
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|a London ;
|a New York :
|b Routledge,
|c 2003.
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|a Routledge studies in Renaissance literature and culture ;
|v 1
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|a Originally published 2003 by Routledge.
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|a Includes bibliographical references (pages 187-201) and index.
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|a Print version record.
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|a Book Cover; Title; Contents; Acknowledgments; Introduction; Prologue: Making sense; Permanently moving: Ben Jonson and the design of a lasting performance; Predominantly still: John Milton and the sacred persuasions of performance; Theatrically pressed: Pamphletheatre and the performance of a nation; Decidedly moving: Aphra Behn and the staging of paradoxical pleasures; Perpetually stilled: Jeremy Collier and John Vanbrugh on bonds, women, and soliloquies; Epilogue: Making space; Notes; Bibliography; Index.
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|a P.A. Skantze argues that 17th century writers for performance portray a crucial aesthetic tension between motion and fixity, the study argues that this tension is fundamental to our scholarly understanding of performance and culture.
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|a English drama
|y 17th century
|x History and criticism.
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|a Drama
|x Technique.
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|a Theater
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|y 17th century.
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|a Quietude in literature.
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|a Théâtre anglais
|y 17e siècle
|x Histoire et critique.
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|a Théâtre (Genre littéraire)
|x Technique.
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|a Théâtre
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|i Print version:
|a Skantze, P.A., 1957-
|t Stillness in motion in the seventeenth-century theatre.
|d London ; New York : Routledge, 2003
|z 0415286689
|w (DLC) 2002037046
|w (OCoLC)51151005
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|a Routledge studies in Renaissance literature and culture ;
|v 1.
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