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Myth, mind, and the screen : understanding the heroes of our times /
Myth, Mind and the Screen is a systematic attempt to apply Jungian theory to the analysis of films (including 2001: A Space Odyssey, The Silence of the Lambs and The Piano) as well as a variety of cultural icons and products such as Madonna, Michael Jackson and televised sport.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, UK ; New York :
Cambridge University Press,
2001.
|
| Colección: | Cambridge studies in criminology (Cambridge University Press)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Izod, John, |d 1940- | |
| 245 | 1 | 0 | |a Myth, mind, and the screen : |b understanding the heroes of our times / |c John Izod. |
| 260 | |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c 2001. | ||
| 300 | |a 1 online resource (xi, 237 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Cambridge studies in criminology | |
| 504 | |a Includes bibliographical references (pages 223-229) and index. | ||
| 505 | 0 | |a 1. Jungian theory, textual analysis and audience play -- 2. Archetypal images: signification and the psyche -- 3. Archetypal images: symbols and the cultural unconscious -- 4. The Piano, the animus and colonial experience -- 5. The pop star as icon. Androgyny and stardom: cultural meanings of Michael Jackson. A goddess who comes? Madonna as trickster -- 6. The quest of a female hero: The Silence of the Lambs -- 7. Television sport and the sacrificial hero -- 8. The polycentred self: The Passion of Darkly Noon -- 9. Haunted: searching for the whole self -- 10. Transforming the final ghost: the god within -- Glossary of Jungian and related terms. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Myth, Mind and the Screen is a systematic attempt to apply Jungian theory to the analysis of films (including 2001: A Space Odyssey, The Silence of the Lambs and The Piano) as well as a variety of cultural icons and products such as Madonna, Michael Jackson and televised sport. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 0 | |a Television |x Psychological aspects. | |
| 650 | 6 | |a Cinéma |x Aspect psychologique. | |
| 650 | 6 | |a Télévision |x Aspect psychologique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Psychological aspects |2 fast | |
| 650 | 7 | |a Television |x Psychological aspects |2 fast | |
| 650 | 7 | |a Psychoanalyse |2 gnd | |
| 650 | 7 | |a Filmanalyse |2 gnd | |
| 650 | 7 | |a Fernsehen |2 gnd | |
| 650 | 1 | 7 | |a Films. |2 gtt |
| 650 | 1 | 7 | |a Psychologische aspecten. |2 gtt |
| 776 | 0 | 8 | |i Print version: |a Izod, John, 1940- |t Myth, mind, and the screen. |d Cambridge, UK ; New York : Cambridge University Press, 2001 |z 0521792533 |w (DLC) 2001025629 |w (OCoLC)46422257 |
| 830 | 0 | |a Cambridge studies in criminology (Cambridge University Press) | |
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