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|a Carroll, Noël,
|d 1947-
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|a Beyond aesthetics :
|b philosophical essays /
|c Noel Carroll.
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|a Cambridge, UK ;
|a New York :
|b Cambridge University Press,
|c 2001.
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|a 1 online resource (xiv, 450 pages)
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|a Includes bibliographical references (pages 395-442) and index.
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|a Print version record.
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|t Foreword /
|r Peter Kivy --
|g pt. I.
|t Beyond Aesthetics.
|t Art and Interaction.
|t Beauty and the Genealogy of Art Theory.
|t Four Concepts of Aesthetic Experience --
|g pt. II.
|t Art, History, and Narrative.
|t Art, Practice, and Narrative.
|t Identifying Art.
|t Historical Narratives and the Philosophy of Art.
|t On the Narrative Connection.
|t Interpretation, History, and Narrative --
|g pt. III.
|t Interpretation and Intention.
|t Art, Intention, and Conversation.
|t Anglo-American Aesthetics and Contemporary Criticism: Intention and the Hermeneutics of Suspicion.
|t The Intentional Fallacy: Defending Myself.
|t Interpretation and Intention: The Debate between Hypothetical and Actual Intentionalism --
|g pt. IV.
|t Art, Emotion, and Morality.
|t Art, Narrative, and Emotion.
|t Horror and Humor.
|
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|a "Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality, and emotional responses are irrelevant to the experience of art - Noel Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with artworks. Throughout, the book combines philosophical theorizing with illustrative examples including works of high culture and the avant-garde, as well as works of popular culture, jokes, horror novels, and suspense films."--Jacket
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|a English.
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|a Art
|x Philosophy.
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|a Arts
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|a Aesthetics.
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|a Art
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|a Arts
|x Philosophie.
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|a Esthétique.
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|a PHILOSOPHY
|x Aesthetics.
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|a Aesthetics.
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|i Print version:
|a Carroll, Noël (Noël E.).
|t Beyond aesthetics.
|d Cambridge, UK ; New York : Cambridge University Press, 2001
|z 0521781345
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