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Twentieth-century theatre : a sourcebook /
A diverse selection of original texts on theatre by its most creative practitioners - actors, writers, directors and designers. Contributors include Jarry, Ionescu, Shaw, Brecht, Strindberg, Stanislawski, Lorca, Brook, Soyinka, Boal, Barba.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Routledge,
1995.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Twentieth-century theatre : |b a sourcebook / |c edited by Richard Drain. |
| 246 | 3 | |a 20th century theatre | |
| 246 | 3 | |a Twentieth-century theater | |
| 260 | |a London ; |a New York : |b Routledge, |c 1995. | ||
| 300 | |a 1 online resource (xviii, 387 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 355-367) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a A diverse selection of original texts on theatre by its most creative practitioners - actors, writers, directors and designers. Contributors include Jarry, Ionescu, Shaw, Brecht, Strindberg, Stanislawski, Lorca, Brook, Soyinka, Boal, Barba. | ||
| 505 | 0 | 0 | |t Part Part I THE MODERNIST DIMENSION -- |t chapter INTRODUCTION -- |t chapter 1 ALFRED JARRY -- |t From Of the Uselessness to Theatre of the Theatre (1896) -- |t chapter 2 ADOLPHE APPIA -- |t From A New Art-Material (c. 1902) -- |t chapter 3 GORDON CRAIG -- |t From Rearrangements (1915) -- |t chapter F.T. MARINETTI, E. SETTIMELLI AND B. CORRA -- |t From The Futurist Synthetic Theatre (1915) -- |t chapter 5 ENRICO PRAMPOLINI -- |t From Futurist Scenography (1915) -- |t chapter 6 TRISTAN TZARA Speech from The First Celestial Adventure of -- |t Speech from The First Celestial Adventure of / |r Mr Antipyrine (1916) -- |t chapter 7 GUILLAUME APOLLINAIRE -- |t From Prologue to The Breasts of Tiresias (1917) -- |t chapter 8 WALTER HASENCLEVER -- |t The Task of Drama (1920) -- |t chapter 9 VALESKA GERT -- |t From I am a Witch (1950) -- |t chapter STANISLAS IGNACY WITKIEWICZ -- |t From On a New Type of Play (1920) -- |t chapter 11 IVAN GOLL Preface to Methusalem or The Eternal -- |t Preface to Methusalem or The Eternal / |r Bourgeois (1922) -- |t chapter 12 EL LISSITZKY -- |t From The Painter on the Stage Progresses Towards Architecture (1922) -- |t chapter 13 SERGEI RADLOV -- |t From On the Pure Elements of the Actor's Art (1923) -- |t chapter 14 OSKAR SCHLEMMER -- |t From New Stage Forms (1928) -- |t chapter 15 DANIIL KHARMS -- |t The Oberiu Theatre (1928) -- |t chapter 16 GERTRUDE STEIN -- |t From Plays (1935) -- |t chapter 17 EUGENE IONESCO -- |t Notes on the Theatre (1953) -- |t chapter 18 ALLAN KAPROW -- |t From Events (1966) -- |t chapter 19 ROBERT WILSON -- |t From Speech Introducing Freud (1969) -- |t chapter 20 TADEUSZ KANTOR -- |t From Impossible Theatre (1972) -- |t chapter 21 RICHARD FOREMAN -- |t From Unbalancing Acts (1992) -- |t part Part II THE POLITICAL DIMENSION -- |t chapter INTRODUCTION -- |t chapter 22 BERNARD SHAW -- |t From Preface to Mrs Warren's Profession (1902) -- |t chapter 23 SERGEI EISENSTEIN -- |t From A Personal Statement (1926) -- |t chapter 24 ERNST TOLLER -- |t Post-war German Drama (1928) -- |t chapter 25 VSEVOLOD MEYERHOLD -- |t From The Reconstruction of the Theatre (1929) -- |t chapter 26 ERWIN PISCATOR -- |t From Basic Principles of a Theory of Sociological Drama (1929) -- |t chapter 27 WORKERS' THEATRE MOVEMENT -- |t 'Agit-Prop' Style (1932) -- |t chapter 28 BERTOLT BRECHT Prologue to The Exception and the Rule (1930) From Notes on the Opera Rise and Fall of the City of -- |t Prologue to The Exception and the Rule (1930) -- |t chapter 29 ATHOL FUGARD -- |t The Coat (From Notebooks 1960/1977) -- |t chapter 30 ARIANE MNOUCHKINE -- |t From Meetings with the Théâtre du Soleil (1974) -- |t chapter 31 JUDY CHICAGO -- |t Womanhouse--Performances (1975) -- |t chapter 32 HÉLÈNE CIXOUS -- |t Aller à la mer (1977) -- |t chapter 33 CAROLEE SCHNEEMANN -- |t Art in the Dark: A Letter to Artforum (1983) -- |t chapter 34 SUZANNE LACY AND LESLIE LABOWITZ -- |t From Feminist Media Strategies for Political Performance (1985) -- |t chapter 35 EDWARD BOND -- |t From Commentary on The War Plays (1991) -- |t chapter 36 CHARLES LUDLAM -- |t Opinions -- |t part Part III THE POPULAR DIMENSION -- |t chapter INTRODUCTION -- |t chapter 37 GORDON CRAIG -- |t From One Word about the Theatre as it was, as it is, and as it will be (1905) -- |t chapter 38 VESTA TILLEY -- |t Recollections (1934) -- |t chapter 39 VSEVOLOD MEYERHOLD -- |t From The Fairground Booth (1911-12) -- |t chapter 40 W.B. YEATS -- |t From A People's Theatre: A Letter to Lady Gregory (1919) -- |t chapter 41 F.T. MARINETTI -- |t From The Variety Theatre (1913) -- |t chapter 42 VLADIMIR MAYAKOVSKY -- |t From Open Letter to the Workers (1917) -- |t chapter 43 GRIGORI KOZINTSEV -- |t From AB: Parade of the Eccentric (1922) -- |t chapter 44 BLUE BLOUSE -- |t Simple Advice to Participants (1925) -- |t chapter 45 VSEVOLOD MEYERHOLD -- |t From The Reconstruction of the Theatre (1929) -- |t chapter 46 KARL VALENTIN -- |t From Compulsory Theatre -- |t chapter 47 BERTOLT BRECHT -- |t From The Popular and the Realistic (1938) -- |t chapter 48 JEAN VILAR The T.N.P--Public Service (1953) -- |t The T.N.P.--Public Service (1953) -- |t chapter 49 ARMAND GATTI -- |t Response of the Road-Sweepers (1962) -- |t chapter 50 PETER SCHUMANN -- |t From Problems Concerning Puppetry and Folk Music and Folk Art in the Light of God and McNamara (1966) -- |t chapter 51 DOROTHY HEATHCOTE -- |t From Drama as a Process for Change (1976) -- |t chapter 52 DARIO FO -- |t From Retrieving the Past, Exposing the Present (1978) -- |t chapter 53 JOHN MCGRATH -- |t From A Good Night Out (1981) -- |t chapter 54 ARMAND GATTI -- |t The Workshop of Popular Creation (1983-5) -- |t chapter 55 JOHN FOX -- |t From How Welfare State's Events are Commissioned, Conceived and Carried Out (1983) -- |t chapter 56 KWESI OWUSU From Notting Hill Carnival: 'De Road is de Stage de Stage is de Road' (1986) -- |t From Netting Hill Carnival: 'De Road is de Stage de Stage is de Road' (1986) -- |t part Part IV THE INNER DIMENSION -- |t chapter INTRODUCTION -- |t chapter 57 AUGUST STRINDBERG -- |t A Reminder: Prefatory Note to A Dream Play (1902) -- |t chapter 58 ADOLPHE APPIA -- |t From How to Reform Our Staging Practices (1904) -- |t chapter 59 GORDON CRAIG -- |t Study for Movement (1906-13) -- |t chapter 60 VSEVOLOD MEYERHOLD -- |t From The Stylised Theatre (1907) -- |t chapter 61 LOÏE FULLER -- |t From Light and the Dance (1908) -- |t chapter 62 ISADORA DUNCAN -- |t Depth -- |t chapter 63 WASSILY KANDINSKY -- |t From On Stage Composition (1911-12) -- |t chapter 64 CONSTANTIN STANISLAVSKI -- |t From Inner Impulses and Inner Action; Creative Objectives (1916-20) -- |t chapter 65 PAUL KORNFELD -- |t From The Inspired and the Psychological Being (1918) -- |t chapter 66 EVGENY VAKHTANGOV Vakhtangov and His Students (1922) -- |t From Stenogramme of Two Discussions between Vakhtangov and His Students (1922) -- |t chapter 67 FEDERICO GARCÍA LORCA -- |t From Play and Theory of the Duende (1930) -- |t chapter 68 ANTONIN ARTAUD -- |t Letter to Comœdia (1932) -- |t chapter 69 JUDITH MALINA -- |t Notes on a Ritual Tragedy (1952) -- |t chapter 70 JERZY GROTOWSKI -- |t Methodical Exploration (1967) -- |t chapter 71 LOUISE STEINMAN -- |t From The Knowing Body (1986) -- |t chapter 72 RACHEL ROSENTHAL -- |t From Rachel's Brain (1991) -- |t part Part V THE GLOBAL DIMENSION -- |t chapter INTRODUCTION -- |t chapter 73 ANTONIN ARTAUD -- |t From On the Balinese Theatre (1931) -- |t chapter 74 BERTOLT BRECHT -- |t From Alienation Effects in Chinese Acting (1936) -- |t chapter 75 ENRIQUE BUENAVENTURA -- |t From Theatre and Culture (1970) -- |t chapter 76 ERROL HILL -- |t From The Emergence of a National Drama in the West Indies (1972) -- |t chapter 77 LUIS VALDEZ -- |t Notes on Chicano Theater (1972) -- |t chapter 78 PETER BROOK -- |t From The World as a Can Opener (1973) -- |t chapter 79 WOLE SOYINKA -- |t From Drama and the African World View (1976) -- |t chapter 80 NTOZAKE SHANGE -- |t unrecovered losses/black theatre traditions (1979) -- |t chapter 81 HONOR FORD-SMITH -- |t From Sistren: Jamaican Women's Theatre (1981) -- |t chapter 82 AUGUSTO BOAL -- |t From The Theatre of the Oppressed in Europe: Forum Theatre (1983) -- |t chapter 83 HÉLÈNE CIXOUS -- |t From The place of Crime, the place of Pardon (1986-7) -- |t chapter 84 EUGENIO BARBA -- |t Eurasian Theatre (1988) -- |t chapter 85 GUILLERMO GÓMEZ-PEÑA -- |t The Border as Performance Laboratory (1991) -- |t chapter SOURCES AND FURTHER WRITINGS / |r Acknowledgements -- |t chapter ACKNOWLEDGEMENTS. |
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